While the whimsy and wonder run high, the narrative contrivances intrude more than in its predecessors.
Philemon is back on—or rather in—the map with his friend Mr. Bartholomew, where they must help more peculiar inhabitants of the nonsensical map-world.
Back home on his farm, Philemon and his loyal donkey, Anatole, discover their friend Mr. Bartholomew miserable and sobbing. In the series’ first volume, Cast Away on the Letter A (2014), Philemon rescued him when he was stranded on the letter A (from the word "Atlantic" on a map) and brought him from his Wonderland-like residence back to the real world. However, reality and order have proven to be dull, and now, Bartholomew pines to go back onto the map. Aided by Uncle Felix, Phil and Bartholomew are transported to the map, but since they cannot go back the same way twice, they end up on the dot of the letter I. Their journey back to the A, however, doesn’t go as expected. As before, quirky curiosities and idiosyncrasies—like an oar-driven galley that’s shaped like a whale (complete with spout) or a castle tenuously suspended by a thread—pop up around every corner. Unlike the previous volumes, however, this third outing doesn't flow smoothly, with some of the critical details of the plot—like their arrival on the map—feeling a bit forced. Nevertheless, the kaleidoscopic narrative lens and mind-bending worldbuilding readers have come to expect are still fully intact, even if they are a bit of a reach.
While the whimsy and wonder run high, the narrative contrivances intrude more than in its predecessors. (Graphic fantasy. 7-12)Pub Date: Sept. 15, 2015
ISBN: 978-1-935179-86-3
Page Count: 56
Publisher: TOON Books & Graphics
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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