COAST TO COAST

“Have you ever read a novel that’s all dialogue?” “William Gaddis. But hardly any.” “Well, this is. With a handful of descriptive paragraphs scattered about.” —And Raphael’s dialogue is famous. The British TV miniseries The Glittering Prizes, some 19 novels, including After the War (1989). Screenplays? The upcoming Stanley Kubrick movie, Eyes Wide Shut with the Cruises, Julie Christie’s Darling (an Oscar for the script), and that feast of bickering, Two for the Road, with Audrey and Albert.” “Good credits!” “Mmm. Coast to Coast is another road picture with a zinger from left field for an ending. A married couple, bound for divorce, drive an antique Jaguar from New England to Los Angeles to attend their son’s wedding. Of course, they wound each other all the way, largely about the adulteries bringing on their divorce, and the bloodletting gets worse at each of several stops (Chicago, Minneapolis, Seattle), particularly at one with Barnaby’s old buddy and Marion’s ex-lover Hal. Once they deliver the Jaguar to their son Benjamin as a wedding present, they’ll split forever. Or will the drive help them work through their problems? The hero is retired sitcom writer Barnaby Pierce, who groaned through several seasons of writing Sergeant Bimbo scripts while his wife Marion stayed home and raised their four kids, growing ever more restive. The subtext to the Jaguar gift is that Benjamin was driving Barnaby’s Chevy on an icy road when he crashed, killing their son Christopher, and now has survivor’s guilt. Did the death do in Barnaby and Marion’s marriage? Or perhaps it was their unbalanced daughter Zara/Zenobia? Well, when the wedding comes, it’s the wedding from hell, with shocks that kill.” “Hmm! Is the talk brilliant?” “Very much so, especially the LA shoptalk. As the anguish deepens, you adjust quickly to knitting all the details together from dialogue. And the jump-cutting between speakers has a Cubist sharpness that should delight.— —All told, one of Raphael’s most successful works.—

Pub Date: May 1, 1999

ISBN: 0-945774-42-7

Page Count: 240

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A sweeping romantic tale of thwarted love.

THE STATIONERY SHOP

Sixty years after her first love failed to meet her in a market square, Roya Khanom Archer finally has the chance to see him. But will he break her heart again?

Back in 1953, she was a 17-year-old schoolgirl, raised in a progressive home in Tehran, where her father encouraged Roya and her sister, Zari, to take advantage of the recent reforms that allowed women to go to university. While he hoped she might become a chemist, Roya loved escaping into novels, which sent her to Mr. Fakhri’s stationery and book store every Tuesday afternoon. There she first sees Bahman Aslan, a breathless young man already well-known as a political activist. Kamali (Together Tea, 2013) sets Roya and Bahman’s love against the tumultuous days of Mohammad Mossadegh’s rise and fall as prime minister of Iran, infusing their affair with political passion and an increasingly frantic sense of the shortness of time. Tuesday after Tuesday, the couple falls more deeply in love, and Bahman soon proposes marriage to Roya. While Roya’s family welcomes Bahman—although Zari warns Roya that his heart cannot be trusted—Bahman’s emotionally volatile mother refuses to accept the engagement, because she has already chosen Shahla, the daughter of a man closely allied with the shah, for her son. Roya determines to weather her future mother-in-law’s storms, but when Bahman and his family disappear, she can only turn to Mr. Fakhri for help. Although he cannot tell Roya where Bahman has gone, Mr. Fakhri offers to exchange secret letters between the lovers. The plan works, and the two even plan to elope, but Bahman does not show up in Sepah Square. Sixty years later, Bahman’s confession will finally expose the secrets that cast shadows over the lovers so long ago.

A sweeping romantic tale of thwarted love.

Pub Date: June 18, 2019

ISBN: 978-1-9821-0748-2

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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