Next book

THE CRITICS BEAR IT AWAY

AMERICAN FICTION AND THE ACADEMY

In essays that appeared mostly in The New York Review of Books, veteran critic Crews sets out to rescue major American authors through common-sense and empirical readings in an evenhanded but firm indictment of current academic ideologues and lit-crit theorists. ``My discussions of American novelists and their professor- critics will show that even within the theory-saturated academy, truly liberal criticism still exists,'' Crews declares; and, severing himself from ``conservative'' critics like Allan Bloom and Roger Kimball, he sets down what might be his own real credo: ``I want keen debate, not reverence for great books.'' And keen debate he provides, albeit not always along with the easiest of reading. A reformed theorist himself, Crews rescues Hawthorne from the tail- wagging-the-dog Freudian analysis he himself once created in his influential The Sins of the Fathers (1966); and in ``Whose American Renaissance?'' he calls for a reading of American literature that's free of the ``partisan myopia'' brought to it by recent, aggressively politicized critics. Granting that ``political belief of one kind or another'' is ``part of the motive force behind most intellectual and cultural interests,'' Crews draws the line at the craven twisting of evidence, books, and their meanings to fit political agendas—in his words, ``the ad hoc adjusting of investigative premises to forestall politically unwelcome implications.'' Fair play, then, for Twain, Hemingway, Faulkner, Flannery O'Connor, and John Updike doesn't mean denying these writers' warts and blemishes—or even their cancers—but it does mean calling them no more nor less than they really were. Sometimes heavy going for the nonacademic reader, but, even so, a bracing dose of high literary reasonableness with, at its heart, ``a concern for understanding American fiction with as few illusions as possible.''

Pub Date: Aug. 24, 1992

ISBN: 0-679-40413-9

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1992

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview