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ICON

An American spy who has come in from the cold helps save turn- of-the-century Russia from its own worst self in an absorbingly resonant thriller from Forsyth (The Fist of God, 1994, etc.), who once again proves himself a master of the game of blending historical fact with fictive fancy. During the hard winter of 1999, Russia (whose economy has been crippled by corruption, organized crime, and inflation) reaches the brink of collapse when its president suddenly dies in office. A new chief executive must be chosen within 90 days, and the world's smart money is on Igor Komarov, the charismatic chairman of a right-wing political party known as the Union of Patriotic Forces (UPF). Something more than a reactionary nationalist, Komarov has unwisely committed his fascist and racist philosophy to paper. A copy of this appalling document (known as the Black Manifesto) falls into the hands of British intelligence and comes to the attention of Sir Nigel Irvine, retired head of the SIS. Since neither London nor Washington will take action, the knight-errant secures help from a sub-rosa group of elder statesmen to frustrate the would-be dictator's terrifying aspirations. His main man in this venture is Jason Monk, a former CIA officer, who had quit the agency after his Moscow operatives were betrayed by Aldrich Ames. Infiltrated into Moscow, Monk (who speaks Russian like a native) plays the centerpiece role in a dramatic scheme to discredit Komarov and rescue Russia from anarchy by establishing a constitutional monarchy with a Romanov heir on the throne. With assistance from a Chechen Mafia chieftain whose life he once saved, the elusive operative enlists the aid of bankers, upright police commanders, journalists, TV executives, the military, and other oddly coupled allies, including the Orthodox Church's patriarch, in halting the UPF's electoral juggernaut. His efforts are successful enough for the desperate Komarov to attempt a New Year's Day coup. Fine page-turning fare from a consummate pro.

Pub Date: Oct. 10, 1996

ISBN: 0-553-09128-X

Page Count: 480

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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A CLOCKWORK ORANGE

The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.

If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.

What happens to Alex is terrible but it is worse for the reader.

Pub Date: Jan. 8, 1962

ISBN: 0393928098

Page Count: 357

Publisher: Norton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Jan. 1, 1962

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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