ICON

An American spy who has come in from the cold helps save turn- of-the-century Russia from its own worst self in an absorbingly resonant thriller from Forsyth (The Fist of God, 1994, etc.), who once again proves himself a master of the game of blending historical fact with fictive fancy. During the hard winter of 1999, Russia (whose economy has been crippled by corruption, organized crime, and inflation) reaches the brink of collapse when its president suddenly dies in office. A new chief executive must be chosen within 90 days, and the world's smart money is on Igor Komarov, the charismatic chairman of a right-wing political party known as the Union of Patriotic Forces (UPF). Something more than a reactionary nationalist, Komarov has unwisely committed his fascist and racist philosophy to paper. A copy of this appalling document (known as the Black Manifesto) falls into the hands of British intelligence and comes to the attention of Sir Nigel Irvine, retired head of the SIS. Since neither London nor Washington will take action, the knight-errant secures help from a sub-rosa group of elder statesmen to frustrate the would-be dictator's terrifying aspirations. His main man in this venture is Jason Monk, a former CIA officer, who had quit the agency after his Moscow operatives were betrayed by Aldrich Ames. Infiltrated into Moscow, Monk (who speaks Russian like a native) plays the centerpiece role in a dramatic scheme to discredit Komarov and rescue Russia from anarchy by establishing a constitutional monarchy with a Romanov heir on the throne. With assistance from a Chechen Mafia chieftain whose life he once saved, the elusive operative enlists the aid of bankers, upright police commanders, journalists, TV executives, the military, and other oddly coupled allies, including the Orthodox Church's patriarch, in halting the UPF's electoral juggernaut. His efforts are successful enough for the desperate Komarov to attempt a New Year's Day coup. Fine page-turning fare from a consummate pro.

Pub Date: Oct. 10, 1996

ISBN: 0-553-09128-X

Page Count: 480

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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