An American spy who has come in from the cold helps save turn- of-the-century Russia from its own worst self in an absorbingly resonant thriller from Forsyth (The Fist of God, 1994, etc.), who once again proves himself a master of the game of blending historical fact with fictive fancy. During the hard winter of 1999, Russia (whose economy has been crippled by corruption, organized crime, and inflation) reaches the brink of collapse when its president suddenly dies in office. A new chief executive must be chosen within 90 days, and the world's smart money is on Igor Komarov, the charismatic chairman of a right-wing political party known as the Union of Patriotic Forces (UPF). Something more than a reactionary nationalist, Komarov has unwisely committed his fascist and racist philosophy to paper. A copy of this appalling document (known as the Black Manifesto) falls into the hands of British intelligence and comes to the attention of Sir Nigel Irvine, retired head of the SIS. Since neither London nor Washington will take action, the knight-errant secures help from a sub-rosa group of elder statesmen to frustrate the would-be dictator's terrifying aspirations. His main man in this venture is Jason Monk, a former CIA officer, who had quit the agency after his Moscow operatives were betrayed by Aldrich Ames. Infiltrated into Moscow, Monk (who speaks Russian like a native) plays the centerpiece role in a dramatic scheme to discredit Komarov and rescue Russia from anarchy by establishing a constitutional monarchy with a Romanov heir on the throne. With assistance from a Chechen Mafia chieftain whose life he once saved, the elusive operative enlists the aid of bankers, upright police commanders, journalists, TV executives, the military, and other oddly coupled allies, including the Orthodox Church's patriarch, in halting the UPF's electoral juggernaut. His efforts are successful enough for the desperate Komarov to attempt a New Year's Day coup. Fine page-turning fare from a consummate pro.
Pub Date: Oct. 10, 1996
ISBN: 0-553-09128-X
Page Count: 480
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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