Forsyth's stalwart tribute to the spies who came in from the cold: four thriller-novellas featuring the intrigues of British superagent Sam McCready. With the cold war over, the Foreign Office has decided to retire its veteran spies, beginning with McCready, the ``deceiver''—head of Britain's disinformation desk since 1983. McCready balks, demanding a hearing at which his assistant relates four of McCready's most daring exploits. The first and longest, ``Pride and Extreme Prejudice,'' is at once the most suspenseful and melancholic. Here, McCready, having ``turned'' a top Russian general, sends spy-pal Bruno Morenz into East Germany to accept the Russian's latest gift—the Soviet Army War Book; but, unknown to McCready, Morenz has just killed a cheating mistress and is cracking up. When the East Germans catch on to Morenz, who panics into hiding, McCready must sneak across the Iron Curtain, find Morenz, retrieve the book, and deal—irrevocably—with his friend. Also subtly shaded with the grays of spydom is ``The Price of the Bride,'' in which McCready learns from a pro-West Soviet source that the CIA's new prize, defecting KGB colonel Pyotr Orlov, is actually a double agent bent on falsely implicating a top CIA-man as a Soviet mole. It's a masterful spy-vs.-spy battle of wits as McCready sets out to unmask the Russian and save the marked Yank. Less enthralling but still offering solid action and brilliant local color are the two final tales, with McCready acting pivotal but minor roles as he displays his prowess against non-Soviet threats. In ``A Casualty of War,'' he foils an IRA-Qaddafi gun- running scheme, while in the semi-humorous ``A Little Bit of Sunshine,'' he foils a Cuban takeover of a Caribbean island. Not a sizzler like The Day of the Jackal or even The Negotiator (1989) but more resonant than either, with shades of le CarrÇ and Deighton: sophisticated, shrewd, roundly satisfying spy- stuff. (Book-of-the-Month Split Main Selection for November)
Pub Date: Oct. 1, 1991
ISBN: 0-553-07319-2
Page Count: 496
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying...
King (Under the Dome, 2009, etc.) adds counterfactual historian to his list of occupations.
Well, not exactly: The author is really turning in a sturdy, customarily massive exercise in time travel that just happens to involve the possibility of altering history. Didn’t Star Trek tell us not to do that? Yes, but no matter: Up in his beloved Maine, which he celebrates eloquently here (“For the first time since I’d topped that rise on Route 7 and saw Dery hulking on the west bank of the Kenduskeag, I was happy”), King follows his own rules. In this romp, Jake Epping, a high-school English teacher (vintage King, that detail), slowly comes to see the opportunity to alter the fate of a friend who, in one reality, is hale and hearty but in another dying of cancer, no thanks to a lifetime of puffing unfiltered cigarettes. Epping discovers a time portal tucked away in a storeroom—don’t ask why there—and zips back to 1958, where not just his friend but practically everyone including the family pets smokes: “I unrolled my window to get away from the cigarette smog a little and watched a different world roll by.” A different world indeed: In this one, Jake, a sort of sad sack back in Reality 1, finds love and a new identity in Reality 2. Not just that, but he now sees an opportunity to unmake the past by inserting himself into some ugly business involving Lee Harvey Oswald, Jack Ruby, various representatives of the military-industrial-intelligence complex and JFK in Dallas in the fall of 1963. It would be spoiling things to reveal how things turn out; suffice it to say that any change in Reality 2 will produce a change in Reality 1, not to mention that Oswald may have been a patsy, just as he claimed—or maybe not. King’s vision of one outcome of the Kennedy assassination plot reminds us of what might have been—that is, almost certainly a better present than the one in which we’re all actually living. “If you want to know what political extremism can lead to,” warns King in an afterword, “look at the Zapruder film.”
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying yarn.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-2728-2
Page Count: 864
Publisher: Scribner
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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