by Frederick Lenz ‧ RELEASE DATE: May 1, 1997
Real-life snowboarder Lenz (Surfing the Himalayas, 1995) takes us, in what may be the most hilarious spiritual quest since Candide, on a most excellent pilgrimage through the mountains of Nepal. Although there is every indication that Lenz has written with a straight face, his sequel—which he dedicates to his dog—reads for all the world like a '90s parody of Gurdjieff or The Razor's Edge. In an introduction, Lenz makes it clear that he is merely fictionalizing his own experiences as a California jock abroad, and anyone who has hung out in Tibetan youth hostels—or simply fantasized over a Lonely Planet guidebook—will recognize the scene. The narrator is a young and not very bright American who comes to the East in search of the perfect mountain to surf and falls under the spell of Master Fwap, a Buddhist monk. Our hero is not particularly given to introspection, but Fwap makes him understand why snowboarding is his destiny and how it will lead him to spiritual completion. Under Fwap's guidance he progresses along the way of purification and enlightenment and improves his snowboarding technique at the same time. He also meets Nadia, a Danish tourist who's spent years mastering Zen Buddhism. Nadia introduces him to Tantric sex, and though he makes good progress under her and Fwap's lead, he eventually rebels: ``While I loved both Master Fwap and Nadia, they just weren't like me. My world was competitive athletics, and theirs was enlightenment.'' So he goes home to Santa Monica, but he finds that he just can't take up his old life as a surfer anymore: Too much has change, there's too much he still doesn't understand. Finally, he decides that he has to go back to Fwap to ``solve the riddle of the missing dimensions.'' Despite long and extremely boring passages about techniques of meditation and asceticism, this may nevertheless be one of the funniest books of the last five years. Lenz has written a comic masterpiece, whether he meant to or not.
Pub Date: May 1, 1997
ISBN: 0-312-15293-0
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Colson Whitehead ‧ RELEASE DATE: April 28, 2009
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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