Real-life snowboarder Lenz (Surfing the Himalayas, 1995) takes us, in what may be the most hilarious spiritual quest since Candide, on a most excellent pilgrimage through the mountains of Nepal. Although there is every indication that Lenz has written with a straight face, his sequel—which he dedicates to his dog—reads for all the world like a '90s parody of Gurdjieff or The Razor's Edge. In an introduction, Lenz makes it clear that he is merely fictionalizing his own experiences as a California jock abroad, and anyone who has hung out in Tibetan youth hostels—or simply fantasized over a Lonely Planet guidebook—will recognize the scene. The narrator is a young and not very bright American who comes to the East in search of the perfect mountain to surf and falls under the spell of Master Fwap, a Buddhist monk. Our hero is not particularly given to introspection, but Fwap makes him understand why snowboarding is his destiny and how it will lead him to spiritual completion. Under Fwap's guidance he progresses along the way of purification and enlightenment and improves his snowboarding technique at the same time. He also meets Nadia, a Danish tourist who's spent years mastering Zen Buddhism. Nadia introduces him to Tantric sex, and though he makes good progress under her and Fwap's lead, he eventually rebels: ``While I loved both Master Fwap and Nadia, they just weren't like me. My world was competitive athletics, and theirs was enlightenment.'' So he goes home to Santa Monica, but he finds that he just can't take up his old life as a surfer anymore: Too much has change, there's too much he still doesn't understand. Finally, he decides that he has to go back to Fwap to ``solve the riddle of the missing dimensions.'' Despite long and extremely boring passages about techniques of meditation and asceticism, this may nevertheless be one of the funniest books of the last five years. Lenz has written a comic masterpiece, whether he meant to or not.
Pub Date: May 1, 1997
ISBN: 0-312-15293-0
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
BOOK REVIEW
Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out...
A post-apocalyptic novel in which Hig, who only goes by this mononym, finds not only survival, but also the possibility of love.
As in Cormac McCarthy’s The Road, the catastrophe that has turned the world into its cataclysmic state remains unnamed, but it involves “The Blood,” a highly virulent and contagious disease that has drastically reduced the population and has turned most of the remaining survivors into grim hangers-on, fiercely protective of their limited territory. Hig lives in an abandoned airplane hangar and keeps a 1956 Cessna, which he periodically takes out to survey the harsh and formidable landscape. While on rare occasions he spots a few Mennonites, fear of “The Blood” generally keeps people at more than arm’s length. Hig has established a defensive perimeter by a large berm, competently guarded by Bangley, a terrifying friend but exactly the kind of guy you want on your side, since he can pot intruders from hundreds of yards away, and he has plenty of firepower to do it. Haunted by a voice he heard faintly on the radio, Hig takes off one day in search of fellow survivors and comes across Pops and Cima, a father and daughter who are barely eking out a living off the land by gardening and tending a few emaciated sheep. Like Bangley, Pops is laconic and doesn’t yield much, but Hig understandably finds himself attracted to Cima, the only woman for hundreds of miles and a replacement for the ache Hig feels in having lost his pregnant wife, Melissa, years before.
Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out some hope that human relationships can be redemptive.Pub Date: Aug. 7, 2012
ISBN: 978-0-307-95994-2
Page Count: 272
Publisher: Knopf
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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