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SNOWBOARDING TO NIRVANA

Real-life snowboarder Lenz (Surfing the Himalayas, 1995) takes us, in what may be the most hilarious spiritual quest since Candide, on a most excellent pilgrimage through the mountains of Nepal. Although there is every indication that Lenz has written with a straight face, his sequel—which he dedicates to his dog—reads for all the world like a '90s parody of Gurdjieff or The Razor's Edge. In an introduction, Lenz makes it clear that he is merely fictionalizing his own experiences as a California jock abroad, and anyone who has hung out in Tibetan youth hostels—or simply fantasized over a Lonely Planet guidebook—will recognize the scene. The narrator is a young and not very bright American who comes to the East in search of the perfect mountain to surf and falls under the spell of Master Fwap, a Buddhist monk. Our hero is not particularly given to introspection, but Fwap makes him understand why snowboarding is his destiny and how it will lead him to spiritual completion. Under Fwap's guidance he progresses along the way of purification and enlightenment and improves his snowboarding technique at the same time. He also meets Nadia, a Danish tourist who's spent years mastering Zen Buddhism. Nadia introduces him to Tantric sex, and though he makes good progress under her and Fwap's lead, he eventually rebels: ``While I loved both Master Fwap and Nadia, they just weren't like me. My world was competitive athletics, and theirs was enlightenment.'' So he goes home to Santa Monica, but he finds that he just can't take up his old life as a surfer anymore: Too much has change, there's too much he still doesn't understand. Finally, he decides that he has to go back to Fwap to ``solve the riddle of the missing dimensions.'' Despite long and extremely boring passages about techniques of meditation and asceticism, this may nevertheless be one of the funniest books of the last five years. Lenz has written a comic masterpiece, whether he meant to or not.

Pub Date: May 1, 1997

ISBN: 0-312-15293-0

Page Count: 240

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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