bookshelf

HONG KONG BABYLON

Name: HONG KONG BABYLON
Author: Fredric Dannen
ISBN: 0-7868-6267-X

AN INSIDER'S GUIDE TO THE HOLLYWOOD OF THE EAST

by Fredric Dannen & Barry Long ‧ RELEASE DATE: Nov. 1, 1997

bookshelf

Journalist Dannen (Hit Men, not reviewed) and Hong Kong film maven and collector Long take a look at one of the world's most vital cinemas, one that's facing an uncertain future under its new Chinese rulers. The Hong Kong cinema is one of the world's most prolific and energetic. Recently, two of its most majestic figures, actor-director Jackie Chan and director John Woo, have successfully made the transition to working in the West. Many others—actor Chow Yun-Fat, directors Ringo Lam and Tsui Hark—are following in their footsteps, filled with hope. Dannen went to Hong Kong for a New Yorker article to see how the industry was facing up to this summer's handover to China of the former British colony. The result was a typical New Yorker piece, which is also the first section of this book: exhaustively reported and handsomely written but somehow superficial, delivering rather less than promised and geared for a readership of tourist-voyeurs. The remainder of the book consists of very brief interviews by Dannen, with numerous directors, producers, and actors, accompanied by filmographies; capsule descriptions by Long of some 300 key Hong Kong films; and recommendations from a dozen critics. Dannen's essay touches briefly on a number of issues worth exploring in greater depth: onerous working conditions, low budgets, and shoddy production values; the huge market for Hong Kong films throughout Asia; the language problem (Mandarin versus Cantonese), which is only going to get worse now that the Mandarin-speaking mainlanders are in charge; the role of underworld figures whose presence permeates the film industry. Neither Dannen nor Long is able to convey the energy and inventiveness that make the best Hong Kong films so entertaining. Producer Peter Chan tells Dannen, ``We don't have a clue why you Americans like [our films] so much.'' This book won't tell you, either. (50 b&w photos)

Pub Date: Nov. 1, 1997

ISBN: 0-7868-6267-X

Page Count: 400

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.