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POUND FOR POUND

Not a flawless novel—it softens noticeably in the middle—but the characters are irresistible, and their gritty, savage,...

From the late author (1930-2002) of the short story (from the collection Rope Burns, 2000) that inspired the movie Million Dollar Baby comes Toole’s only novel, a tough, tender tale about boxing people.

Protagonists Dan Cooley, trainer, and Chicky Garza, prize-fighting tyro, have both suffered the jabs and hooks of outrageous fortune. Cooley has been stalked by tragedy, culminating in the terrible accident that cost him his beloved grandson. Seventeen-year-old Chicky has been brought up by a grandfather who loves him and heroin in equal measure. We see Cooley trying to cope with loss and self-loathing, a struggle that often overwhelms him. We see Chicky exploited and betrayed by the criminal element that clings like barnacles to the bottom side of boxing. Both are severely battered and punchy, so much so that by the time they connect, neither has the emotional wherewithal for optimism about any kind of relationship. But Cooley spots the talent in Chicky and can't resist it. To Chicky, Cooley is the teacher/father he's been desperately searching for. Thus, for each other, they represent at least the possibility of a life redeemed.

Not a flawless novel—it softens noticeably in the middle—but the characters are irresistible, and their gritty, savage, strangely noble world is vividly evoked, by the real-life boxing trainer whose real name was Jerry Boyd.

Pub Date: Aug. 1, 2006

ISBN: 0-06-088133-X

Page Count: 384

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2006

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VINELAND

If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.

Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.

Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.

Pub Date: Feb. 1, 1990

ISBN: 0141180633

Page Count: 385

Publisher: Little, Brown

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Jan. 15, 1990

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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