A bizarre yet entertaining coming-of-age story.
In Jamin’s thriller, a lost boy foresakes his past and embarks upon death-defying adventures around the world.
Jamin’s debut opens with a scenario familiar to the thriller genre: The young daughter of a wealthy businessman is kidnapped by a small, ruthless group led by a lean fighter wearing sunglasses and a ponytail. The kidnappers demand a ransom from the girl’s father but neglect to mention they’ve also accidentally abducted Carla’s friend Michael Dinero, a wiry, brilliant teen who manages to escape his captors before they deliver Carla to her parents. The girl is safe but traumatized, but there’s a problem: Michael left his backpack behind and his kidnappers know exactly where to find him and his parents, biotech millionaire Bob and tough, strident Gail. The Dineros hire ex–Secret Service agent Kevin “Boss” Daley to assemble an extremely well-paid team of experts to lower the profile of their opulent home and provide round-the-clock security. Boss and his team deal with threats both real and imagined, and the book seems poised to move toward a standard showdown with the villain. However, a quarter of the way in, everything shifts slightly toward the surreal; young Michael, in fear for his life and no longer willing to put his parents in danger, eludes his security team and disappears into the wilderness. Armed only with survival skills and calling himself Yorick, he spends months roughing it until the day he strikes up a conversation with eccentric millionaire Mr. Earle, who heads a shady international mercenary outfit called BlackBox Corporation. Earle’s bodyguard, Darwin, is an enigmatic figure who will become Queequeg to Yorick’s Ishmael. Impressed by Yorick’s computer skills, BlackBox hires him, sending him off on a series of far-flung international adventures that comprise the rest of the book. The text could use a thorough scrub to catch the kind of errors a computer’s spell-check would miss (“lightening” for “lightning” being one example). Despite those flaws, the important things—character development, dialogue, plotting and exuberant narrative flow—are all here in abundance.
A bizarre yet entertaining coming-of-age story.Pub Date: Jan. 19, 2012
ISBN: 978-0-615-59829-1
Page Count: 426
Publisher: G.A. Jamin
Review Posted Online: March 12, 2012
Kirkus Reviews Issue: April 1, 2012
Review Program: Kirkus Indie
With a sweeping bow to Virginia Woolf, McEwan combines insight, penetrating historical understanding, and sure-handed...
McEwan’s latest, both powerful and equisite, considers the making of a writer, the dangers and rewards of imagination, and the juncture between innocence and awareness, all set against the late afternoon of an England soon to disappear.
In the first, longest, and most compelling of four parts, McEwan (the Booker-winning Amsterdam, 1998) captures the inner lives of three characters in a moment in 1935: upper-class 13-year-old Briony Tallis; her 18-year-old sister, Cecilia; and Robbie Turner, son of the family’s charlady, whose Cambridge education has been subsidized by their father. Briony is a penetrating look at the nascent artist, vain and inspired, her imagination seizing on everything that comes her way to create stories, numinous but still childish. She witnesses an angry, erotic encounter between her sister and Robbie, sees an improper note, and later finds them hungrily coupling; misunderstanding all of it, when a visiting cousin is sexually assaulted, Briony falsely brings blame to bear on Robbie, setting the course for all their lives. A few years later, we see a wounded and feverish Robbie stumbling across the French countryside in retreat with the rest of the British forces at Dunkirk, while in London Briony and Cecilia, long estranged, have joined the regiment of nurses who treat broken men back from war. At 18, Briony understands and regrets her crime: it is the touchstone event of her life, and she yearns for atonement. Seeking out Cecilia, she inconclusively confronts her and a war-scarred Robbie. In an epilogue, we meet Briony a final time as a 77-year-old novelist facing oblivion, whose confessions reframe everything we’ve read.
With a sweeping bow to Virginia Woolf, McEwan combines insight, penetrating historical understanding, and sure-handed storytelling despite a conclusion that borrows from early postmodern narrative trickery. Masterful.Pub Date: March 19, 2002
ISBN: 0-385-50395-4
Page Count: 448
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to...
A small Tennessee mountain town is awash in sex and scandal in Belle’s first novel.
Gia Andrews, a disaster relief worker, is also a convicted murderer’s daughter. Her father, Ray, was convicted of killing his wife and Gia’s stepmother, Ella Mae, and sentenced to life in prison. But Ray is dying, and prison officials are releasing him on compassionate grounds; Gia’s uncle Cal, a prominent lawyer, has recruited her to return home from Kenya to care for her dad in his home in Rogersville. Despite the fact that she hasn’t seen her father since she left many years ago, she returns, believing her brother, Bo, and sister, Lexi, will help her, but she finds that neither wants anything to do with their father. Her nearest allies turn out to be the home-care worker Uncle Cal has hired, Fannie, and the new man she meets, a bar-and-grill owner named Jake. When Gia meets a law professor planning to write a book about wrongful convictions, he tells her he believes Ray didn’t kill Ella Mae and that Cal, who was Ray’s attorney, didn’t mount much of a defense. After looking into these allegations, Gia discovers her stepmother had an affair with another man and wonders whether her father could be innocent after all. While trying to unravel the mystery of who really killed Ella Mae, things heat up between Gia and Jake, and suddenly the mystery takes a whole new direction. Belle’s a smooth writer whose characters are vibrant and truly reflect the area where the novel is set, but the plot—while clever—takes a back seat to Gia’s and Ella Mae’s separate, but equally steamy, sexual exploits.
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to develop.Pub Date: Sept. 30, 2014
ISBN: 978-0-7783-1722-7
Page Count: 400
Publisher: Harlequin MIRA
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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