Thoughtful design and substantive content speak volumes about how to appreciate modern art—and its creators.
A glimpse into the passion to create as manifested in the marriage of two 20th-century dynamos.
The protagonists, both White, are introduced as young adults, their likenesses framed on the wall. Christo is “a poor refugee…whose father once ran a fabric factory,” while Jeanne-Claude is “the rich stepdaughter of a French general.” They meet when Christo arrives at Jeanne-Claude’s parents’ home to paint their portraits. Witty repartee turns into genuine interest; she comprehends the meaning of the wrapped objects in his apartment: “It’s revealing—while concealing.” Thus begins a love affair with each other and with implementing large-scale projects to help people see. Many installations are depicted, but Neri focuses more on the reasons for temporarily wrapping buildings, coastlines, islands—art as an experience to live on in memory, as a “scream of freedom,” or, as a young visitor to the fabric-ensconced L’Arc de Triomphe (2021) declares, “Because when you wrap something, it’s a gift.” An author’s note explains the combination of actual and invented dialogue. The palette is fairly muted, with the figures often portrayed in silhouettes or viewed from the back—a choice pairing well with the topic of coverings. This title complements Elisa Boxer’s Covered in Color (2022), illustrated by Susanna Chapman, which provides more background about Christo as well as photographs. Background characters are diverse. (This book was reviewed digitally.)
Thoughtful design and substantive content speak volumes about how to appreciate modern art—and its creators. (fun facts, bibliography) (Picture-book biography. 5-8)Pub Date: April 18, 2023
ISBN: 978-1-5362-1661-5
Page Count: 48
Publisher: Candlewick
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Sage, soothing ideas for a busy, loud, sometimes-divisive world.
In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.
Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.
Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)Pub Date: March 31, 2020
ISBN: 978-0-593-11535-0
Page Count: 40
Publisher: Philomel
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
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