An engaging, tightly written love story with a dash of suspense.
A debut novel delivers a romance set in the rarefied world of pop-music superstardom.
Kalynn Stearne is a newly minted superstar on the verge of her first big solo tour. She has two platinum albums, industry awards, and a huge fan base. But she also has serious problems. An experience with abuse in her past keeps her from sleeping. She feels smothered by her fame, having to be accompanied by bodyguards wherever she goes. She doesn’t get to do the normal things a 19-year-old does, and everybody wants something from her. It’s hard for her to trust men when every guy she meets, including other pop stars and even her tour director, treats her like a sexual trophy. That’s why her immediate attraction to Layne Kennett, her new tour photographer, is so unusual. Layne has his own troubles—he is on probation and has been given this assignment from his father’s media company as a last chance to go straight. Just to stir the pot, Kalynn has a stalker named Alexa/Alex sending her threatening notes. When Kalynn’s longtime manager, Mae, is found dead, the stalker takes credit for it. Now Kalynn has to work through her trust issues, worry about a creep getting to her and her adopted family, and mount the most important tour of her life. Layne has to keep Kalynn’s trust and still reveal his past as a felon. That’s a lot of stuff working against a happy ending, but this is a romance novel, after all, and a briskly moving one at that. Fairbairn doesn’t break any new ground with this tale, but it does have plenty to offer. The characters, especially Kalynn and Layne, are well-drawn and believable. Their development feels natural, even in extraordinary circumstances. There are plot points, for example, a party in Malibu when Layne sees a pop star hitting on Kalynn, in which the author avoids obvious choices and allows his characters to be more human than caricatures. And his prose is sparkling clean, with never a muddled moment.
An engaging, tightly written love story with a dash of suspense.Pub Date: Nov. 29, 2018
ISBN: 978-1-79049-531-3
Page Count: 428
Publisher: Time Tunnel Media
Review Posted Online: Feb. 21, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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