A whirlwind coming-of-age story that leaves one breathless.
Bronx native Juliet Palante lands her dream internship in Portland, Oregon, the summer after her freshman year of college.
In 2003, the 9/11 attacks are a recent memory, mixtapes are in full effect, and Juliet comes out as a lesbian to her Puerto Rican family the night before she leaves town. Bearing the pain of her mother’s disapproval, Juliet bravely moves forward (pa’lante!) in hopes of self-transformation with Harlow Brisbane, author of Raging Flower: Empowering Your Pussy by Empowering Your Mind—Juliet’s beloved “magical labia manifesto.” Curious and open, Juliet plops into Harlow’s white hippie world of polyamorous lesbians and feminism while she questions her purpose as a brown-skinned, curvy, asthmatic, Puerto Rican lesbian. When a Raging Flower reading blows up, Juliet flees, seeking refuge with her badass revolutionary cousin and her queer chosen family, further expanding her understanding of personal freedom. Diverse primary and secondary characters reflect believable communities in Portland and Miami, although the portrayal of Filipino tertiary character Phen lacks cultural texture. Rivera (America, Vol. 2: Fast and Fuertona, 2018, etc.) offers up a passionate tribute to the power of one’s voice through Juliet’s savvy and tender narration. Crucial and intense explorations of sexual orientation, gender identity, and race ring true. A white and Korean librarian love interest and a masturbation scene add sweet sensuality to Juliet’s self-discovery.
A whirlwind coming-of-age story that leaves one breathless. (Fiction. 14-adult)Pub Date: Sept. 17, 2019
ISBN: 978-0-593-10817-8
Page Count: 320
Publisher: Dial Books
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it...
Nerdfighter Green’s latest takes readers through Indianapolis and the human biome.
Aza Holmes doesn’t feel like herself. But “if half the cells inside of you are not you, doesn’t that challenge the whole notion of me as a singular pronoun…?” When a local billionaire—and the father of her childhood friend, a white boy named Davis—disappears, Aza (who seems to be white) and her BFF, Daisy Ramirez (who is cued as Latina), plot to find him and claim the reward, amid rumors of corruption and an underexplored side plot about semi-immortal reptiles. The story revolves around anxious Aza’s dissociation from her body and life. Daisy chatters about Star Wars fan fiction (and calls Aza “Holmesy” ad nauseam), and Davis monologues about astronomy, while Aza obsesses over infection, the ever present, self-inflicted wound on her finger, and whether she’s “just a deeply flawed line of reasoning.” The thin but neatly constructed plot feels a bit like an excuse for Green to flex his philosophical muscles; teenagers questioning the mysteries of consciousness can identify with Aza, while others might wish that something—anything—really happens. The exploration of Aza’s life-threatening compulsions will resonate deeply with some, titillate others, and possibly trigger those in between.
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it hard to say what anyone else will think—but this is the new John Green; people will read this, or not, regardless of someone else’s gut flora. (Fiction. 14-18)Pub Date: Oct. 10, 2017
ISBN: 978-0-525-55536-0
Page Count: 304
Publisher: Dutton
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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