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LISTEN

This book makes a memorable experience.

Readers are encouraged to take a moment to listen to every sound around them.

Sometimes the “big, wild world” is full of noise. But “what if you stop, close your eyes, and LISTEN? Can you hear each sound?” A dog, a crow; a teakettle, a “hello.” New words in school, the sounds of feelings; the rain, the wind, the quiet? While a narrator addresses readers, asking them to listen past the noise, the illustrations show a brown-skinned kid with two Afro puffs starting the day on a busy street, walking to school with dad, who presents White, and spending time with friends. The pictures conclude with bedtime scenes with a mother figure, who is Black, and broad views of the neighborhood at night. Through sensory engagement, the narrative offers a fresh way to engage with the world, showing that even when the surroundings seem overwhelming, one has the power of attention—useful for learning, calm, empathy, and more. The combination of city scenes and machines, human families and groups, nature and pets creates a vision of harmony in which all creatures play a part. The blue color scheme accented with red parallels the text’s soothing tone while colored and styled font accents support the idea of listening and distinguishing between sounds and words. Endmatter defines different modes of hearing and responding to sounds. (This book was reviewed digitally.)

This book makes a memorable experience. (Picture book. 3-9)

Pub Date: July 13, 2021

ISBN: 978-1-5344-6189-5

Page Count: 40

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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