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FLORA'S TREE HOUSE

A subtle and inventive alternative to today’s technology-tethered indoor play.

Flora is inspired to create her artistic drawings and paintings as she watches her younger brother, Will, engage in his adventurous, imaginative play.

A loud and rambunctious muse, Will has never seen the artwork that decorates the walls of his sister’s treehouse. One day, however, he observes her sketching, becomes curious, and climbs the ladder even though he is strictly an unwelcome visitor (“NO WILLS ALLOWED!” reads her sign). Flora’s gallery is impressive, and despite her initial grumpiness, she explains that many of the pictures mirror his play, like the recent aliens he was fighting or the time he flew his rocket to Pluto. As the siblings, who are white, reminisce about each of Will’s escapades represented in Flora’s masterpieces, the two soon combine their imaginative talents and create a new adventure together. Colorful digital illustrations temper the mild sibling rivalry with the children’s round, smiling faces. As Flora explains her artwork, realistic scenes fade to magnificent imaginary tableaux in which both children enact the artwork, underscoring how the creative use of crayons and markers can extend a young child’s concepts and perceptions.

A subtle and inventive alternative to today’s technology-tethered indoor play. (Picture book. 4-8)

Pub Date: May 28, 2019

ISBN: 978-1-62779-226-4

Page Count: 32

Publisher: Henry Holt

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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