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THE IMMORTALISTS

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An unapologetic, perverse, yet spiritual first novel that follows one man’s mistakes and triumphs when he learns that he can live forever.

David’s novel follows Israel “Izzy” Stern, a recent Boston University graduate living alone in Providence, R.I. All the family Izzy has is his grandfather’s friend, Uncle Jack, who meets with him at a Starbucks the summer after college to play chess, ogle the busts of coeds from Rhode Island School of Design and Brown, and for Uncle Jack to tell Izzy his secret—he’s immortal. Jack’s wisdom, money and immortality—a gift Izzy learns he shares with Uncle Jack—catapults Izzy from his life of womanizing and grappling with his insecurities to one of wandering, helping and learning. But Izzy’s transformation comes not without him first hitting rock bottom: “He had become a riches-to-rags cliché. Izzy too, like Aqualung had stared at young girls with bad intent. And Izzy, like Mrs. Robinson in the Simon and Garfunkel song, now prayed for a place in heaven with God. His agnosticism was now completely suspended due to his new low standing in the world.” David’s writing is punchy and incorporates lyrics to classic songs as well as pop culture and perversity. Although the occasional authorial interruption is distracting, David makes up for it with his honest prose that questions societies’ beliefs about God and discusses the growing problem of militant and persecutory views that jeopardize human lives. In the style of Salman Rushdie—though David is not quite as ambitious—magical realism is used to explore religion, spirituality and the state of our world today. This work should secure David a place within the genre as a writer who will tickle the reader, make her think and then take a hard look at the world around her. David’s compelling debut successfully incorporates pop culture, profanity and religion into a resonant exploration of existence.

 

Pub Date: Dec. 7, 2011

ISBN: 978-1105119057

Page Count: 145

Publisher: Lulu

Review Posted Online: Jan. 20, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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