by Gabriel García Márquez Gabriel Garcia Marquez ‧ RELEASE DATE: Feb. 23, 1971
Garcia Marquez returns to stir the dust of Macondo, his personal Caribbean fiefdom, which God and the banana company have apparently "declared unnecessary and thrown into a corner." In the long title story the rickety, crotchety Colonel rises like Antigone to bury the town's nemesis, a mysterious French doctor-hermit who for some reason fed on grass and refused to treat the wounded in an obscure civil fracas. Tantalizing questions are planted in three alternating narratives (the Colonel has dragged in his daughter and grandson, for safety in numbers); but while the reader waits for clues to knit and the crunch to come, the story unravels in lost threads, irrelevancies and ritual farce. So it goes in Macondo, and elsewhere with sharper focus in two alleged fantasies for children — wry parables for adults — about equally torpid villages and their peculiar guests: one "the handsomest drowned man in the world," and the other either a decrepit, incontinent angel or an old Norwegian seaman with wings. They're received without any great flurry, but every unsettled mote has a strange luminous familiarity. The author's imagination, as always, is a closetful of wonders, and Gregory Rabassa's translation, as before, is virtually invisible.
Pub Date: Feb. 23, 1971
ISBN: 006075155X
Page Count: 164
Publisher: Harper & Row
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Feb. 1, 1971
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by Gabriel García Márquez ; translated by Anne McLean
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by Gabriel García Márquez edited by Cristóbal Pera translated by Anne McLean
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by Gabriel García Márquez translated by Edith Grossman
by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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by Tim O’Brien
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SEEN & HEARD
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SEEN & HEARD
by Ted Chiang ‧ RELEASE DATE: May 8, 2019
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...
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New York Times Bestseller
Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.
Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.Pub Date: May 8, 2019
ISBN: 978-1-101-94788-3
Page Count: 368
Publisher: Knopf
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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