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LITTLE WARRIOR BROTHER

A poignantly unsentimental rendering of the darkness of war.

A nephew and his uncle recall their experiences as American soldiers in Iraq and Vietnam.

Debut author Keith enlisted in the Marines right out of high school for a smorgasbord of reasons: to feel a sense of purpose, to have the opportunity for heroism, to be taken seriously by his peers. But the actual experience, starting with the grueling routine of boot camp, belied those quixotic notions. The author was deployed to Kuwait as a machine gunner, and his company was attached to a tank battalion that eventually invaded Baghdad. Meanwhile, his Uncle Rick adds remembrances of his own about his own teenage escape from poverty and a strained relationship with his father into the Army and eventually to Vietnam. The thematic tether that binds the two accounts is the mutual experience of disillusionment and the jarring encounter with an uncomprehending civilian world. Rick was addled by PTSD when he returned to the United States and furious that the alleged Greatest Generation turned its back on Vietnam veterans. Likewise, Gabe was besieged by the same questions and assumptions about his service and angry at the misconceptions that motivated his enlistment and shadowed his return. Rather than a linear chronology of events, the dual memoir unfolds as a series of impressionistic anecdotes and commentary, vacillating back and forth between Gabe’s and Uncle Rick’s perspectives and dotted with exchanges between the two. The author affectingly punctures the myth of war as a romantic affair that neatly pits heroes versus villains, vividly portraying the pendulum swing between fear and boredom that makes for military life. Both accounts ably portray the chasm between war and its depiction in the media and the distance that separates those who experience combat and those who see it shown on the nightly news. The parallelism between the two chronicles separated by nearly a half century gives the memoir as a whole a timeless relevance—the ugliness of war, and the complications in returning to a quotidian life, seems immortal. The reader feels the author’s exasperation when he’s asked for the umpteenth time how many people he killed. Further, his avoidance of romantic melodrama doesn’t mean his recollection is shorn of emotion; for example, the tale he tells of the death of a dog his unit essentially adopted is moving and brimming with vulnerability. Unfortunately, the prose can be wobbly, a touch indistinct, and plagued by redundancy: “I think the similarities between the experiences that you and I experienced as enlisted guys in the middle of it, in the fight, display a lot of commonalities.” In addition, one is left wishing the author achieved more of a balance between philosophical musings and laments; the remembrance is understandably laced with the bitterness of disenchantment, but too much of that inevitably becomes tiresome. Finally, while ably evoked, that message of disgruntlement is now a very familiar one, well represented in literature.

A poignantly unsentimental rendering of the darkness of war.

Pub Date: April 20, 2017

ISBN: 978-0-9986622-0-6

Page Count: 340

Publisher: Kodama

Review Posted Online: June 28, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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