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DARK HEARTS

OF HUNGER AND HATE

A skillfully executed gothic story that leaves some questions unanswered.

In Wort’s paranormal historical novel, a young woman in 19th-century France finds fragile safety in a mysterious manor.

Julietta has known a centuries-old guiding spirit known as the Night Mother, whom she calls “Mistress,” since she was a child. Mistress shepherded Julietta out of an abusive orphanage, keeping her safe for years on the street in exchange for obedience: “When she disobeyed, the jackals”—predatory men—“invariably came as punishment, as swift as they were sadistic.” As the story opens, the teenaged Julietta is saved from men threatening her by a vampiric stranger clothed in black—a “towering Nosferatu” named Farron who has an iron prosthetic arm and serves the Marquis Bellamy Valentin de La Clermont. She happily goes to work as a maidservant at Bellamy’s estate, where the marquis clearly favors her; he allows her to dine with him and to wander the grounds and even teaches her how to read. Bellamy also sponsors a brother-sister ballet duo, Colette and Sabien, who are close in age to Julietta and whose training he sometimes oversees personally. Bellamy begins an affair with Colette; Julietta, infatuated with Bellamy, becomes envious, occasionally sneaking into the hall outside his bedroom to watch the couple’s intimate encounters. Sabien also resents Bellamy, since he and Colette had previously been in an incestuous relationship. His bitterness culminates in an attack on Julietta, who stabs him with a letter opener. He survives that attack, but the household soon collapses into despair when multiple tragedies occur. Julietta begins to question Bellamy’s influence, suspecting that something dark and supernatural has taken hold of him. Although she loves him and wishes to save him, her Mistress may have other intentions. When a new pair of siblings arrive at the manor, Julietta must uncover the origin of the marquis’s malevolence and end it.

The atmosphere in this novel, which is part of a series, is richly imagined, with gothic imagery that heightens its sense of dread: “Those trees, with their scabrous, twisting trunks and jagged black branches, invoked images of gaunt hands reaching desperately towards the heavens.” Gruesome action scenes are interspersed with voyeuristic erotic moments, reinforcing the book’s fixation on desire, violence, and power. The supernatural narrative, paired with recurring themes of Catholic morality, open up engaging discussions about sin and damnation: “So long as God in Heaven dwells, we who sold our souls shall be judged and condemned. Cast down to scream in hell and so lend our voices to that chorus of the wailing damned.” Although the marquis is a well-developed character with a compelling backstory and disturbingly clear motivations, other figures remain more elusive. Farron is a memorably bloodthirsty villain (“the vampire tore off his head and lifted it like a brimming goblet towards his mouth, spilling the sanguine wine onto his tongue, toasting the last survivor of the radicals’ crooked gathering”), although his past, including the origin of his prosthetic, is left unexplored. The Mistress, in particular, would have benefited from further development, as her allusions to larger plans are never fully explained. However, fans of erotic horror will find plenty to enjoy here.

A skillfully executed gothic story that leaves some questions unanswered.

Pub Date: Feb. 9, 2026

ISBN: N/A

Page Count: -

Publisher: Endangered Poet Productions

Review Posted Online: Jan. 19, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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LOOK WHAT THE CAT DRAGGED IN

For readers who like their fun laced with skin-crawling weirdness.

A comic-strip artist loses first her cat and then, possibly, her mind.

Working with artists Horner and Staehle, as he did for Hidden Pictures (2022), Rekulak uses illustrations to support a paranormal thriller plot. Penny Padgett, a 27-year-old cartoonist living in Philadelphia, has published three beloved graphic novels about her life with her cat, Popcorn, and is working on a fourth when Popcorn darts out the window during a snowstorm and disappears. When all efforts to locate him fail, Penny spirals into unproductive despair. Her live-in boyfriend, Dean Everhardt, who works in finance, insists she accompany him to a cocktail party at the Brandywine Valley estate of his most important client, Evelyn Bruehl. At the party, Penny hears mewing that at first she’s sure must be Popcorn, but which turns out to be a very different cat named Godfrey. Godfrey immediately attaches himself to Penny, and when Evelyn—who’s about to take an extended trip to Europe—asks her to cat-sit, Dean pressures her to agree. Though at first Godfrey’s presence helps Penny break through her writer’s block, she’s completely disgusted by his custom-made food, which is delivered by his equally repugnant private veterinarian. And then something very strange starts happening to her artwork, which is suddenly filled with macabre and demonic imagery she can’t remember producing. Also, she’s losing weight and something terrible is happening to her skin. At this point the plot pivots into full-on horror, with a disgusting infestation of giant beetles and revolting odors taking over Penny’s house and a horrific murder next door. Penny finds some clues about what’s happening in a biography of Evelyn Bruehl’s grandfather, illustrator Barnabas Godfrey—the cat’s namesake. The 80-plus pages of illustrations include both Penny’s comic panels and Barnabas’ 19th-century images, the latter also filled with hints of what will emerge in the dramatic, screamworthy climax.

For readers who like their fun laced with skin-crawling weirdness.

Pub Date: Oct. 13, 2026

ISBN: 9781250895875

Page Count: 352

Publisher: Flatiron Books

Review Posted Online: Aug. 3, 2026

Kirkus Reviews Issue: Sept. 1, 2026

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