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DAVE AT NIGHT

PLB 0-06-028154-5 Knowing only that her father grew up in an orphanage in New York on the edge of Harlem, Levine (Ella Enchanted, 1997) weaves a tale of an adventurous boy who stumbles into the world of the Harlem Renaissance. In 1926, orphanages were still cruel places, who took in children whose relatives refused to care for them. When Dave’s father dies, an uncle takes in his brother Gideon, but no one will take him. He ends up in the Hebrew Home for Boys and quickly makes friend with most of the other boys, but angers the violent superintendent, Mr. Bloom (Mr. Doom, as the boys nickname him). Dave’s one solace is to climb over the institution’s wall at night, to sample the outside world. He’s befriended by Solly, an elderly Jewish fortuneteller with a parrot; Solly takes him along to a rent party, where Dave meets Irma, an African-American girl who is his age. His new friends invite him to more parties, attended by some of the shakers and movers of the Harlem Renaissance. Eventually, Solly and Irma, with the help of Irma’s influential mother, help Dave to overthrow the tyrannical Mr. Bloom, and improve the orphanage. Levine’s writing is believable and personable; historical details ring true, especially the energy among African-Americans during the 1920s artistic flowering, and the particulars of Jewish and Yiddish culture. (Fiction. 8-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-028153-7

Page Count: 278

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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KEVIN AND HIS DAD

There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)

Pub Date: April 1, 1999

ISBN: 0-316-79899-1

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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RAMONA'S WORLD

Ramona returns (Ramona Forever, 1988, etc.), and she’s as feisty as ever, now nine-going-on-ten (or “zeroteen,” as she calls it). Her older sister Beezus is in high school, baby-sitting, getting her ears pierced, and going to her first dance, and now they have a younger baby sister, Roberta. Cleary picks up on all the details of fourth grade, from comparing hand calluses to the distribution of little plastic combs by the school photographer. This year Ramona is trying to improve her spelling, and Cleary is especially deft at limning the emotional nuances as Ramona fails and succeeds, goes from sad to happy, and from hurt to proud. The grand finale is Ramona’s birthday party in the park, complete with a cake frosted in whipped cream. Despite a brief mention of nose piercing, Cleary’s writing still reflects a secure middle-class family and untroubled school life, untouched by the classroom violence or the broken families of the 1990s. While her book doesn’t match what’s in the newspapers, it’s a timeless, serene alternative for children, especially those with less than happy realities. (Fiction. 8-12)

Pub Date: Aug. 25, 1999

ISBN: 0-688-16816-7

Page Count: 192

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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