Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK TO SCREEN
A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.
In U.S.–based Colombian author Delgado Lopera's coming-of-age novel, a 15-year-old Colombian girl struggles with her identity and her burgeoning sexuality.
Dragged unwillingly from Bogotá to Miami, crammed with her mother and sister into her grandmother's apartment at the Heather Glen Apartment Complex, Francisca misses her friends and her former life. But she can't go home, because "this wasn't a Choose Your Own Migration multiple-choice adventure." In a scene early in the book, her mother insists on baptizing a child she miscarried 17 years before, using a plastic doll from a discount store as a stand-in baby. Manic one moment and sad the next, Mami has joined the Iglesia Cristiana Jesucristo Redentor, an evangelical Colombian church in "a stinky room in the Hyatt Hotel nobody cared to vacuum." In the car on their way there, the doll stares at Francisca with a fixed, plastic smile. "Are you happy now, asshole, I wanted to say....You're still dead, pendejo." With a whip-smart, unapologetic voice peppered with Colombian slang, Francisca pulls us into her new life in "Yanquilandia." Trouble arises when she meets Carmen the pastor's daughter, who wants her to accept Jesus into her heart. Francisca imagines God in "a dentist's waiting room checking in with the receptionist every so often, Did Francisca receive my son in her heart yet? (said no God ever)." Instead, she finds herself falling in love with Carmen, threatening her family's tenuous place in the immigrant community. Though the plot revolves around a coming-out story, the great strength of Delgado Lopera's writing lies in its layered portrayals of these characters and their world. "Women in my family possessed a sixth sense...from the close policing of our sadness: Your tristeza wasn't yours, it was part of the larger collective female sadness jar to which we all contributed."
A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.Pub Date: March 4, 2020
ISBN: 978-1-936932-75-7
Page Count: 240
Publisher: Feminist Press
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
PERSPECTIVES
PERSPECTIVES
The inestimably gifted Boyle (The Road to Wellville, 1993, etc.) puts on a preacher's gown and mounts the pulpit to proclaim a hellfire sermon against bigotry and greedin this rather wan updating of The Grapes of Wrath. If Boyle is to be believed, Los Angeles County has gradually evolved into a kind of minimum-security prison, with the prosperous Anglos living in fear of their lives behind the walls of their suburban security compounds. Delaney and Kyra Mossbacher moved as far from the city as they could, and settled in a tastefully ``authentic'' tract development just above Topanga Canyon. Au courant to a fault, Kyra brings home the bacon as a hot-shot real estate agent, while Delaney stands in as Mr. Momcooking their lowfat meals, seeing after their pets and their son, and writing a monthly column for a nature magazine. Below them, in the Canyon itself, C†ndido and AmÇrica Ricon have crossed the Mexican border illegally and seek refuge of their own in the makeshift camp they've erected. C†ndido meets Delaney at the beginning of the story when Delaney runs him down with his car, and this pretty much establishes the tone of their relations throughout. C†ndido, as hapless as his namesake in Voltaire, wants only to work and look after his pregnant wife, but he's thwarted on every side by an exasperated white society with no room for him. Implausible circumstances keep bringing Delaney and C†ndido back to each other, and the tension that builds between them becomes an image of the ferocity that smolders within the city around themexploding in an apocalyptic climax that combines a brushfire and a riot, with an earthquake thrown in for good measure. A morality play too obvious to be swallowed whole: Boyle's first real lemon so far. (First printing of 100,000; First serial to Los Angeles Times Magazine; $100,000 ad/promo; author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-670-85604-5
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
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