While the title seems pitched to Tom Jones fans, this mystery will appeal more to fans of lighthearted romantic cozies with...
The life of a mousy rest home receptionist is upended when she attends a Tom Jones tribute artist festival and murder intervenes.
Ellie Overton is 28 and single since the current crop of soul-patched hipsters can’t hold a candle to the flamboyant macho man of her dreams, singer Tom Jones. When a Tom Jones Festival, featuring dozens of wannabes with varying degrees of talent, swings through her home town of Pankey, Pa. (along with sister city Hankey), Ellie decides to fork over some of her hard-earned pay as general dogsbody at the Finger Rest Home for a weekly pass. To her surprise, her childhood frenemy Happy Carlisle is there—married to Flip Henderson, one of the top contenders. The first night’s entertainment is cut short when the other top contender, Stan McCann, crashes through the stage steps and breaks a leg in the latest of a series of “accidents” plaguing tribute artist contests. Ellie returns the next night with a carload of rest home residents; Happy sets her up with an eliminated contestant, Evan Salter, but the date goes quickly south when Evan is found standing over Flip’s dead body with the murder weapon in his hand. Ellie’s life becomes increasingly complicated when her boss, Mr. Finger, holds her responsible for bringing his clients into a dangerous situation. She feels compelled to help Evan, who claims to be innocent, flee the police, while Happy latches onto Ellie to cater to her not-particularly-devastated widowhood. Happy’s dweebish brother, Donny, turns out to have matured into an eligible attorney with an unfortunate drinking problem, and sexy police detective Marc Levy does his darnedest to sweep Ellie off her feet. The rest home residents, Mrs. Peachey, Mrs. Hand and Mr. Harvey, along with handyman/driver Jorge, supply insight, support, comic relief and wardrobe advice. Martin (Grace Unexpected, 2012, etc.) has written an amusing cozy/romance, though the title is somewhat misleading: The Tom Jones tribute artist theme isn’t especially vital to the story; it could have taken place at any kind of venue with an element of competition. Murder takes a decided back seat to Ellie’s romantic quandaries, dividing her interest and loyalties among Evan, Donny and Marc, though, in fact, Ellie’s relationships with her elderly charges are the real heart of the story.
While the title seems pitched to Tom Jones fans, this mystery will appeal more to fans of lighthearted romantic cozies with fairly conservative social views.Pub Date: Jan. 16, 2014
ISBN: 978-1620151976
Page Count: 252
Publisher: Booktrope Editions
Review Posted Online: March 6, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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