Whether the reader finds the novel’s tone snarky or witty, Jean tends to self-described “incessant, unbridled thinking” that...
From Niederhoffer (The Romantics, 2008, etc.), the romantic escapades and indecision of an independent film producer who feels alienated from her husband and trapped by domesticity.
Native New Yorker Jean met Sam, a budding filmmaker from Ohio new to New York City, when they were in their mid-20s and full of bohemian energy and artistic ambition. Now, they are married with two kids, living in a Brooklyn brownstone they can’t afford to renovate, their marriage as stalled as the economy. While Jean’s career as a producer means finding financing for Sam’s latest film, she hates asking people for money; an independent filmmaker herself, Niederhoffer gives a behind-the-scenes look at the business with an insider’s satiric disaffection. While Jean loves her children, she’s not enthralled with the drudgery of motherhood either. As for Sam, he’s a nice guy, but the chemistry has evaporated. Jean escapes reality by writing daily—never-actually-sent emails to her college (Harvard, natch) boyfriend, Doug. Then one day, she actually sends an email asking him to meet for a drink, and he says yes. The rendezvous does not go well. Soon afterward, she travels to Los Angeles to convince a wavering actor to stay committed to Sam’s film. At the hotel bar, she flirts with a man named Benjamin, who leaves without paying for his drink until the maitre d’ calls him (using the phone number Benjamin gave Jean). Jean suspects he’s conned her, but he claims he was merely flustered by her charm. Back in Brooklyn, she obsessively researches Benjamin on the Internet, creating scenarios of him in her head until the real Benjamin slowly reveals himself. Meanwhile, Sam finds the stash of Jean’s unsent emails to Doug, assumes they are carrying on an affair and reacts accordingly. By the time the movie begins shooting, Jean must decide where her rather brittle heart belongs.
Whether the reader finds the novel’s tone snarky or witty, Jean tends to self-described “incessant, unbridled thinking” that remains shallow and becomes tedious long before she chooses her man.Pub Date: July 30, 2013
ISBN: 978-0-312-64373-7
Page Count: 288
Publisher: St. Martin's
Review Posted Online: June 8, 2013
Kirkus Reviews Issue: June 15, 2013
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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