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THE ROMANTICS

Niederhoffer’s follow-up to the clever A Taxonomy of Barnacles (2005), while gracefully written, never soars above the...

Romantic complications abound when a close-knit group of Yale graduates assemble in Maine for the lavish wedding of two members of their clique.

Darkly attractive, intelligent and complicated, Laura Rosen has reason to dread the nuptials of her golden-girl “best friend” Lila Hayes. After all, she is madly in love with the groom. Laura and Tom McDevon dated before he and Lila did, remaining close until his engagement. His choice of the beautiful but shallow Lila over the considerably more compatible Laura seems like a cop-out, motivated by Lila’s wealth and breeding more than true love. Still, duty (and a little hope) compels Laura to head out to the Hayes family’s coastal Maine compound so she can act as maid of honor for her former college roommate. Once there she is joined by six other members of her Yale class, who have conveniently paired off in monogamous couples, leaving Laura as the single Jew in a sea of WASPs. After an interminable rehearsal dinner all the pals, minus Lila, head out for a drunken frolic on a raft in the bay. The revelers somehow end up unmoored, and after swimming back to shore discover that Tom is missing. Worried that the gifted athlete might have gotten cold feet—or drowned—they all separate into pairs to look for him, choosing partners other than their usual mates. The rest of the night passes with drink-and-drug-fueled excesses, hook-ups and the usual personal revelations, as well as a ghostly sighting. Laura, who never really explains why she has remained friends with this gossipy crew, also fights off the advances of Lila’s younger brother Chip and makes a discovery about Tom that changes everything.

Niederhoffer’s follow-up to the clever A Taxonomy of Barnacles (2005), while gracefully written, never soars above the dislikable characters and the dated depiction of blue-blood customs.

Pub Date: July 1, 2008

ISBN: 978-0-312-37337-5

Page Count: 288

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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