Readers who emerge dry-eyed from the text should check their pulses: Something is wrong with their hearts.
Wrenching, highly personal accounts of 9/11 and its aftermath.
Former POLITICO and Washingtonian editor Graff (Raven Rock: The Story of the U.S. Government's Secret Plan To Save Itself—While the Rest of Us Die, 2017, etc.) returns with an impressive feat of organization, editing, and balance. He begins the story early in the morning of 9/11, proceeds through the entire day, and then follows up with comments from people about the ensuing weeks, months, and years. He spent three years collecting stories from a wide variety of people—survivors, responders, politicians, witnesses, family members—and then assembled the pieces into a coherent and powerful re-creation of the attacks on the twin towers, the Pentagon, and (perhaps) the Capitol, an attack that failed when the passengers aboard Flight 93 fought back, their plane crashing in a Pennsylvania field. Some of the storytellers’ names are well known—e.g., Katie Couric, Dick Cheney, Condoleezza Rice, Laura Bush—but most of them are not. Graff also does an admirable job of maintaining focus on the personal stories and does not drift off into political commentary—or engage in placing blame—or arrange the material so that some of his interviewees look good and some bad. Pretty much everyone emerges looking good, from President George W. Bush on down the political ladder—not to mention the stunning heroism of the fire and police departments and the unnumbered, and sometimes nameless, others who rushed to help. Graff excels at re-creating the anxiety and terror of that day: What is happening? What’s next? Who did this? Most affecting of all, of course, are the accounts of those who survived, the responders who struggled to help (and who lost so many of their colleagues), and the families who learned a loved one would never be coming home. Pair this with Mitchell Zuckoff’s Fall and Rise (2019) for a full, well-rounded perspective on this monumental tragedy.
Readers who emerge dry-eyed from the text should check their pulses: Something is wrong with their hearts.Pub Date: Sept. 10, 2019
ISBN: 978-1-5011-8220-4
Page Count: 416
Publisher: Avid Reader Press
Review Posted Online: June 29, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
SEEN & HEARD
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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