by Garrison Keillor ‧ RELEASE DATE: May 13, 2023
An offbeat, sometimes trenchant personal narrative about the value of joy.
The former radio-show host offers a book about finding cheer in everyday life.
“Dread is communicable,” writes Keillor at the beginning of his latest book. “Crap is bad for the brain.” This observation is part of the opening salvo from the creator of the syndicated Minnesota Public Radio show A Prairie Home Companionand the author of many books. Keillor’s book is designed to recall the central and often overlooked value of good cheer in American life, which he characterizes as being in relatively short supply in the modern era. The idea to write a book about cheerfulness, he says, matured in his mind while he was recovering from successful heart surgery in 2022; the concept felt strange to him, like a non-skier writing about skiing: “I went through decades of busy striving and confusion and dissatisfaction,” he remembers, “and now I felt secure in my skis, looking down the steep chute, knees bent, leaning forward, pushing off.” The book’s narrative wanders through Keillor’s memories, pulling in a large cast of aunts, uncles, grandparents, old friends, and colleagues, as well as his parents, portrayed with the warm glow of settled love. It also includes helpings of Keillor’s famously deadpan doggerel poetry. His general observations are intertwined with frequent reflections (he reminds readers often that he’s 80). These memory-glimpses are drawn from his childhood and personal life, as well as his professional career; the latter came to an end with MPR in 2017, following allegations of inappropriate behavior with a female colleague. Keillor denied any wrongdoing, and in the book, he briefly characterizes the separation as the result of “a simple shakedown scheme by a man and woman who’d worked for the show for years.” (A 2018 MPR News feature later reported “a years-long pattern of behavior that left several women who worked for Keillor feeling mistreated, sexualized or belittled.”)
Readers who are nostalgic for A Prairie Home Companionmay be surprised by the valedictory tone of Keillor’s prose throughout this book. Every page feels like a farewell address, every observation is slightly pained, and every personal recollection reads like the last affectionate look-around of a man about to fall off a cliff. The Minnesota humor that permeates so much of Keillor’s earlier prose here feels not only dry, but also mordant. “Of course there’s loneliness and guilt, a sense of meaninglessness—you wonder: why am I here? What did I come in the kitchen looking for? Why am I holding a spatula?” goes one typical passage, at the end of which Keillor offers a plucky but grim punchline: “But the moment passes, thanks to memory loss.” The book has bits of the familiar hangdog humor for which the author was once famous (“It’s cold in Minnesota so I went into radio because it’s indoors and vacuum tubes gave off heat”), but they’re matched with tougher assertions (on quitting drinking: “The way to do it is to do it”) and comments on his acceptance of age: “The beauty of getting old is that I am no longer trying to find myself,” he writes. “I am here, this is me, forlorn mug and all.”
An offbeat, sometimes trenchant personal narrative about the value of joy.Pub Date: May 13, 2023
ISBN: 9798988281801
Page Count: 268
Publisher: Prairie Home Productions
Review Posted Online: Nov. 30, 2023
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Oct. 7, 2025
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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