WE ARE STILL MARRIED: Stories and Letters

A potpourri of stories, essays, letters, occasional pieces and even poems from the folksy humorist of Prairie Home Companion fame (Lake Wobegon Days, Leaving Home). It's uneven: his many fans will want to read it straight through, while others should browse and choose. Keillor's gift is a conversational tone that sneaks up on the reader with small insights, jokes, and tall tales refashioned for our times. His bane is a stubborn Northern Plains parochialism that he doesn't always recognize. Both are in evidence here. After a "Here at the New Yorker" introduction, he lets fly with spoofs (notably, "End of the Trail," about the last cigarette smokers in America, and "Glasnost: He Didn't Go to Canada," about Dan Quayle); some leftover Lake Wobegon tales (including "The Babe," about Lake Wobegon sports, and "Who Do You Think You Are?," about becoming famous in the Midwest); a gaggle of "Talk of the Town" New Yorker pieces (about a number of things, including subways and the New Iberia, Louisiana, Sugar Cane Festival); a chapbook's worth of poems (ranging from clever to cornpone); and a few short stories (e.g., "After a Fall," which transforms slapstick into metaphor, and the title story, in which a commonplace couple fall into the clutches of People magazine and celebrity). In short, Keillor has cleaned out his basement and printed everything that didn't get into his earlier books. As with Ken Kesey's Garage Sale, though, even the most discriminating reader will find the book worth the price of admission, with some change left over.

Pub Date: N/A

ISBN: 0140131566

Page Count: -

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1989

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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