An entertaining study of a quirky historical episode.
Light social history about rainmaking in the arid American West.
Anyone who’s seen 110 Degrees in the Shade is already familiar with the story of Charles Hatfield. In the early 20th century, settlers west of the Mississippi were desperate for more water. Hatfield was the most famous of the dozens of scientists and charlatans who insisted they could create rain. He wasn’t, suggests Jenkins (Colonel Cody and the Flying Cathedral, 2000, etc.), a total fraud. His musing about rainmaking began in his mother’s kitchen, as he observed the interaction between steam and water vapor from a pot and a stove. Couldn’t he engineer some chemical version of steam, and bring down rain from the clouds? However unsound his science, Hatfield had early successes making rain in southern California in 1904. He gained fans (including not a few infatuated ladies) and financial backers, but he also earned enemies who thought his promises were hogwash; Willis More, head of the U.S. Weather Bureau, lambasted Hatfield at every opportunity. In 1915, San Diego, which badly needed rain, secured Hatfield’s services. After Hatfield’s machinations, the city definitely got rain—the worst storm in the history of the region, a storm that almost destroyed it. The “landscape,” writes Jenkins, who spends almost 100 pages detailing the inundation, was “liquidized.” (The author seems fond of alliteration: we also read about a “delta of debris” and a “fortnight of frustration.”) The storm simply made Hatfield more controversial and more famous. Newspapers ate him up with a spoon. But as dams came to the West, the demand for rainmakers, even legendary Charlie, declined. By the late 1930s, Hatfield was making his living selling sewing machines and real estate. Did he actually cause all that rain in San Diego? Maybe, and maybe not, says Jenkins: “We can never know.”
An entertaining study of a quirky historical episode.Pub Date: July 1, 2005
ISBN: 1-56025-675-3
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2005
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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