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I CAN GIVE YOU ANYTHING BUT LOVE

Indiana remarks that his memories are “colored by mood and contingency.” The mood of this memoir is mostly rueful, bitter,...

A writer, filmmaker, playwright, and artist recalls his past.

In this ironically titled memoir, Indiana (Andy Warhol and the Can that Sold the World, 2010, etc.) gives little evidence of love but much graphic detail of sex, focused often on comparative penis sizes and tumescence. Although he claims to have “an unshakeable sense of utter insignificance,” being “too peculiar to figure importantly in anyone’s life, including my own,” his voice throughout tends to be supercilious. Indiana characterizes his parents as “emotionally constipated,” creating an environment that prepared him “for absolutely nothing.” Growing up within “a swamp of human wreckage tainted by alcohol,” any problem, he was taught, “was other people’s fault.” Early sexual experiences with boys left him believing that “sodomy was an arcane, specialized perversion, like bestiality.” In his 20s, he was subject to panic attacks and depression; pickups did not fulfill his “pinching wish for attachment.” In late-1960s California, Indiana “lived on no money, with no fixed address, becoming a ward of whatever boyfriend or commune whose orbit I drifted into,” usually connected to his friend Ferd, a political activist and porno filmmaker. In those years, writes the author, psychedelic drugs “were taken like aspirin…and heroin users were seen as the truly daring souls, more ‘seriously’ troubled than aimless run-of-the-mill LSD dropouts.” Ferd often sent him to emergency rooms to steal syringes, errands he performed with alacrity. Later, living in Cuba, the author had an affair—“a complete pornographic fantasy”—with a sexually energetic deaf mute, a relationship he quickly found “tiresome.” Among those singled out for scorn is Susan Sontag: arrogant, “exasperating,” a woman whose “chronic aesthetic gourmandizing filled her with a histrionic rapture that required live witnesses.” David Lynch was humorless, boring, and “smarmy.”

Indiana remarks that his memories are “colored by mood and contingency.” The mood of this memoir is mostly rueful, bitter, and sad.

Pub Date: Sept. 8, 2015

ISBN: 978-0-8478-4686-3

Page Count: 240

Publisher: Rizzoli Ex Libris

Review Posted Online: June 27, 2015

Kirkus Reviews Issue: July 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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