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SONGBIRDS, TRUFFLES, AND WOLVES

Name: SONGBIRDS, TRUFFLES, AND WOLVES
Author: Gary Paul Nabhan
ISBN: 0-679-41585-8

AN AMERICAN NATURALIST IN ITALY

by Gary Paul Nabhan ‧ RELEASE DATE: July 1, 1993

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A journey from Florence to Assisi in the steps of St. Francis proves as much a spiritual quest as an eclectic scientific inquiry for enthnobotanist Nabhan (Enduring Seeds, 1989). While recovering from a painful divorce, Nabhan, who's part Lebanese, decided to walk the two hundred miles between Florence and Assisi ``in part to ponder my Mediterranean roots, and in part to learn of the land of my saint, San Francisco.'' Before he set off, he made a brief visit to Genoa, home of Christopher Columbus, where, in a local market, he found prickly pears, native to the Americas but now at home in the Old World: This sort of cross- fertilization of plants and seeds—as well as of cultures—is one of the author's subtexts here. Another is the need for ``rough country land where we can be truant and not have to pay to get in or be inspected on the way out.'' Nabhan discovered that little of such wilderness is left in Italy: The wolves have gone; the forests where chestnuts or truffles grow are planned; and even the ancient oaks at St. Francis's shrine, protected as artifacts rather than as living organisms, are dying from benign attention. Civilization is always close by, providing a mix of old and new: rock music and the waltz at an Umbrian corn festival (leading Nabhan to a brief history of corn in Italy, where it once caused pellagra among the peasants); farmers cultivating ancient native crops alongside New World imports like tomatoes and sunflowers; the tasting of the season's first truffles, dug up by dogs rather than by the traditional pigs. Throughout, Nabhan relates his experiences with a beguiling candor that's spoiled by only a few obvious thoughts and insights about human relationships. An enjoyable mix of information and opinion from a writer whose delight in nature is always wise and thoughtful, never sentimental or smug.

Pub Date: July 1, 1993

ISBN: 0-679-41585-8

Page Count: 208

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
AGAVE SPIRITS
by Gary Paul Nabhan & David Suro Piñera

- BOOK REVIEW
MESQUITE
by Gary Paul Nabhan

- BOOK REVIEW
CHASING CHILES
by Kurt Michael Friese , Kraig Kraft and Gary Paul Nabhan

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.