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THE BEET FIELDS

MEMORIES OF A SIXTEENTH SUMMER

Using his lyrical voice, Paulsen (Alida’s Song, 1999, etc.) presents a true-to-life, thinly veiled biographical portrait of a boy’s 16th year. This boy (all that Paulsen names him) runs away from his alcoholic mother when she makes sexual advances toward him and he finds a job thinning beets for North Dakota farmers. He befriends the Mexicans with whom he works, and learns how they make their hard lives bearable with friendship and the simple pleasures of food and music. When offered a steady summer job by one farmer, he takes it because he’s attracted to the farmer’s daughter. He never spends his money and accumulates hundreds of dollars, all of which a sheriff’s deputy takes. Hitchhiking to escape from the deputy, he eventually signs on with a traveling carnival and learns how to fleece the rubes. The book ends with an account of his first sexual experience. Paulsen’s simple prose gives the story a dream-like quality that smoothes the edges of its harsher events. It’s the truth of memory rather than unrelenting realism, although the truth of the events comes through. The sexual content may make the book inappropriate for less mature readers, but it’s essentially an optimistic, coming-of-age story and a new take on the life of this popular author. (Fiction. 12-15)

Pub Date: Sept. 12, 2000

ISBN: 0-385-32647-5

Page Count: 192

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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THE SUMMER I TURNED PRETTY

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...

Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly. 

Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together. 

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)

Pub Date: May 5, 2009

ISBN: 978-1-4169-6823-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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