An intriguing, sometimes effective tale about redemption and a remarkable mentor.
The lives of a dissolute sideshow sword swallower and a self-destructive young man intersect.
Debut novelist Robinson introduces this story as a fictionalized account of the sideshow performer Capt. Don Leslie’s life and the author’s own journey. The result: colorful storytelling combined with self-conscious, confessional messaging about addiction and dysfunction. The novel, spanning decades, begins in the 1960s with Robinson’s third-person narrative about a sword-swallower named Duke. The performer is in San Francisco for his Florida-based circus’ off-season, fueling his addiction to alcohol and methamphetamine and eagerness to get back to the big tent. Duke’s gritty odyssey encompasses his growing celebrity, a life-changing stint in prison, and his affection for the so-called sideshow “freaks” that became his family when he joined the circus as a 15-year-old runaway. This section is often genuinely moving, despite the choppy cadence of short, declarative sentences (“Alcoholism and religion prevailed. It was rarely peaceful at home. Duke was smoking cigarettes at thirteen”). Before a much older Duke and 35-year-old fictional Gary meet by happenstance in Chico, California, the latter picks up the narrative as a nihilistic high school graduate in the 1980s, embarking on decades of addiction and dysfunction. Gary recounts this as an exhaustive series of anecdotes, with a jarring blend of reminiscence, self-flagellation—“I am no superstar, and that is killing me”—and philosophical interjections: “The purpose of why we are here and who we are engaged with is rarely revealed until the moment has arrived.” This aspect of the book becomes increasingly forced. The impact of Gary’s redemptive journey—sparked by Duke’s mentorship and a consciousness-raising encounter with a vomiting woman named Angel—is further weakened by long passages quoting 19th-century secularist Robert G. Ingersoll and ruminations about Christianity and the morality of criminalizing drug use. The narrative flow is hampered, too, by characters who repeatedly speak “assuredly” and “excitedly.”
An intriguing, sometimes effective tale about redemption and a remarkable mentor.Pub Date: Sept. 26, 2017
ISBN: 978-0999469804
Page Count: 334
Publisher: Grobinbooks
Review Posted Online: Feb. 24, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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