by Gary Scharnhorst ‧ RELEASE DATE: March 30, 2018
A lively, richly detailed, and sharply perceptive biography.
The transformation of newspaperman Samuel Clemens into popular essayist and entertainer Mark Twain.
Although Twain (1835-1910) has been the subject of scores of biographies and studies, his life story has never been told, asserts Scharnhorst (Emeritus, English/Univ. of New Mexico; Owen Wister and the West, 2015, etc.), “from beginning to end from a single point of view on an expansive canvas.” The author brings considerable authority and astute analysis to the first volume of his planned multivolume biography, drawing on Twain’s writings, letters (more than 5,000 made available since Justin Kaplan’s acclaimed biography of Twain was published in 1966), memoirs by Twain’s contemporaries, and nearly everything—reviews, remarks, and scholarship—written about Twain. Although Scharnhorst admits that he has discovered no “bombshells” or “dark secrets,” he offers a cleareyed, balanced portrait of the restless, irreverent, hard-drinking writer and lecturer who, no matter how much money he earned, seemed perpetually in debt. Twain worked for several newspapers after he gave up piloting on the Mississippi, with varying success. He was not well-liked by his colleagues on Virginia City’s Territorial Enterprise, for example, recalled for being “a notoriously lazy grinder” who, when he should have been cranking out copy, instead sat “drumming on a cracked guitar.” As a young man, he held decidedly racist views, which he “outgrew” after he moved to cosmopolitan San Francisco in 1865. As far as sex, “little is known,” Scharnhorst asserts, although judging from some ribald writings, Twain “seems to have been thoroughly familiar with western bordellos” and may have been treated for venereal disease. Twain was an enthusiastic world traveler whose jaunts were funded by newspapers to which he contributed “letters” from abroad. He supplemented his income by performing as a “literary comedian” in the manner of renowned Artemus Ward, to whom he was often favorably compared. Scharnhorst ends his first volume with the publication of Twain’s well-received The Innocents Abroad (1869), his marriage to the heiress Livy Langdon, and the birth of their son.
A lively, richly detailed, and sharply perceptive biography.Pub Date: March 30, 2018
ISBN: 978-0-8262-2144-5
Page Count: 600
Publisher: Univ. of Missouri
Review Posted Online: Dec. 18, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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                            by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
                            by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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