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A PLACE IN SPACE

ETHICS, AESTHETICS, AND WATERSHEDS

Snyder's longtime concerns with ecology, Zen Buddhism, Native American culture, nature writing, and poetry intermix in these varied short essays, gathered slightly indiscriminantly from over his career. Snyder's watersheds metaphorically stand for the environmentalism he espouses: humans, flora, and fauna living in ``wild'' egalitarianism in bioregions, ``the first and last nations whose boundaries . . . are inarguable.'' His favorite bioregions range from the ecological (his eco-homestead in the Sierras) to the cultural (San Francisco during his early years and, later, Japanese Zen monasteries). In Snyder's explorations, the disparate principles of Zen Buddhism, Indian mythology, Shamanism, and Chinese poetry cohere into a simple, sincere, and rich way of lifeat once moral, artistic, and practical. Unfortunately, in the brief pieces here, culled from forewords, conference talks, anthology contributions, and previous books of his, Snyder's expansive thinking and passionate arguments get too cramped and truncated, unlike in his discourse The Practice of the Wild (1990). His manifesto ``Four Changes'' and speeches for Earth Day and other ecological conferences are the weakest here, with oversimplifications and simply garbled versions of archaelogy, economics, and politicsshorthand preaching for the converted. Some of the better longer pieces on ecological activism come from his volume The Old Ways, but new writings included here transplant their generalized dicta to California. Although his pieces on ancient Chinese, Japanese, and Beat poets tend to be more introductory than informative, his hipster versions of myths, ``Smokey the Bear Sutra'' and ``The Incredible Survival of Coyote,'' and his nature pieces have the sort of wildness he championsfree, vital, and illuminatingbut are a bit too sparse on the ground. This slightly recycled collection of footnotes and field notes (the first volume from Counterpoint) covers much territory, mapping out a few good pieces but not a wholly cohesive tract. (First printing of 40,000; first serial to Audubon)

Pub Date: Sept. 1, 1995

ISBN: 1-887178-02-3

Page Count: 272

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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