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AWAKENING A LEADER’S SOUL

LEARNINGS FROM IMMORTAL POEMS

An inspirational perspective on an unusual leadership style.

Bhalla (The Curse and the Cup, 2014, etc.), delivers a multilayered guide to “soulful leadership.”

The author, a self-described “globally recognized thinker-doer” who works as a consultant, speaker, and leadership coach, believes that people are living in a “VUCA” world: “Volatile,” “Uncertain,” “Complex,” and “Ambiguous.” The only way to navigate this new world is through soulful leadership, he says, which he defines as “a conscious desire to use power and resources to increase the well-being and prosperity of the greater many, not just the privileged few.” A soulful leader is the opposite of an egotistical leader, he notes, as the latter is identifiable by a tendency to disrupt and distract, an insistent need for rewards and recognition, poor listening skills, impatience, and an intolerance of dissent. In contrast, soulful leaders have substance, are authentic, and have a clear vision. “Soulful leaders are neither timid nor squeamish,” Bhalla says. They don’t exist in a bubble, however; they must extend their “orbit” to employees, customers, and to the planet. Bhalla illustrates the parameters of soulful leadership through fictional scenarios and real-life situations faced by leaders like Winston Churchill and Nelson Mandela. Each essay also includes “Think About It,” “Talk About It,” and “Act on It” suggestions to put esoteric ideas into practice. Although Bhalla’s prose is precise, it can be textbook-dry; when discussing psychotherapist Alfred Adler’s theory on success, for example, he writes, “For him, success is a purely competitive concept, a fixation that robs moment-to-moment living of all joy, since living is deferred to some uncertain time in the future after the individual feels fulfilled by success.” The author’s approach to the theories’ applications, however, is more playful. For instance, the author intersperses poems among the essays, he says, because poetry taps into the soul “in a way that can’t be accomplished by merely appealing to the mind.” Regarding the Emily Dickinson poem “I’m Nobody! Who Are You?” he writes about establishing an “ ‘I am a nobody’ culture in your own organization and workplace.” Forward-thinking organizations will find these concepts to be timely and useful.

An inspirational perspective on an unusual leadership style.

Pub Date: July 7, 2017

ISBN: 978-1-62865-421-9

Page Count: -

Publisher: Motivational Press

Review Posted Online: Aug. 10, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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