An absorbing, inventive introduction to Parker’s version of the 23rd century, where politics still reign.

Ephialtes

EPHIALTES TRILOGY BOOK 1

From the Ephialtes Trilogy series

In the first volume of Parker’s (See the Worlds, 2015) planned sci-fi series, Earth’s act of aggression against Mars could incite the first interplanetary war.

In 2241, the fourth world war is over, and the United States and Nations has reason to celebrate. But there’s troubling news: the off-world colony on Mars may be looking to secede. Most of the USAN’s fuel is from deuterium, and the country will no longer be energy-independent if it has to trade for the precious mineral, which is much more abundant on Mars. As a demonstration of its power, the USAN retrofits two warships to send to the red planet. Mars, meanwhile, having established a government and the Martian Security Service, gets wind of the approaching ships and prepares its missile defense. It seems only a matter of time before one side pre-empts a strike with an attack of its own. Yet there’s not much action in Parker’s novel, consisting largely of political and military maneuvering. But he does fill his novel with a gloriously dense back story: the secession, for instance, is spearheaded by Charles Venkdt, whose family company was the first to send a human expedition to Mars nearly a century before. At the same time, the sci-fi elements are convincing, because they aren’t far removed from today’s norms: a comdev, for example, is like a smartphone that’s “biometrically encoded” to its owner for identity purposes, while the USAN president lives in the suitably named New White House. The story effectively generates suspense for the inevitable confrontation between the two planets: one of two warships, Otus and Ephialtes, may have been sabotaged, and the USAN’s garrison on Mars isn’t likely to surrender easily. Parker even hints at a Romeo and Juliet romance between Bobby Karjalainen, a Martian soldier who fought with the USAN during World War IV, and earthling Askel Lund, an engineer for Helios Matériel Corporation, which designed the ships. Hopefully the relationship will be explored in later books. Readers will definitely want to stick around for the epilogue; it’s a doozy.

An absorbing, inventive introduction to Parker’s version of the 23rd century, where politics still reign.

Pub Date: Sept. 22, 2015

ISBN: N/A

Page Count: 505

Publisher: Unlimited

Review Posted Online: Aug. 21, 2015

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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