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THE DEVIL TO PAY

Don’t care for lawyers? Then you’ll love this tale of how a down-on-his-luck attorney’s slide to destruction is greased by his own legal counsel. Despite a fat trust fund and a trophy wife, San Francisco lawyer Jack Darwin is in trouble. His marriage is on the skids, since shy, bookish Darwin shares only one interest with vivacious Karla, and they hardly ever indulge that one anymore. Karla’s spending habits have made a big dent in Darwin’s trust fund, whose principal won’t get turned over to him for another ten years. And his first foray into criminal defense will come a cropper as soon as the judge hears Darwin’s hopelessly amateurish motion to dismiss. But as Darwin is sitting over still another bourbon bemoaning his fate, a fairy godmother appears in the form of David Avila, a fellow attorney who helps the other lawyer redraft his motion, points him toward some lucrative criminal defense work, and takes him under his wing. Darwin doesn’t know that his new friend, fresh from Karla’s bed, has already been plotting ways to relieve him of wife, home, and trust fund. So even as Darwin thinks he’s taking the first steps toward a new life with law- student Dolores Hernandez, he’s in fact following the footprints his fairy godmother has laid out for him—prints that lead to a messy divorce amid allegations of assault, a hopelessly compromised reputation, and, inevitably, the hot seat in a murder trial, with Avila on hand to run Darwin’s defense into the ground. Dold (Schedule Two, 1996, etc.) presents Darwin’s bumpy descent with easy empathy for this flawed, gentle man, but also, regrettably, with a complete lack of surprise. It’s fun for a while to watch diabolical Avila sink his client deeper and deeper into the muck, but even when the worm begins to turn, the revelations that will save Jack are as predictable as the villainy. Still, this is a sturdy nightmare for readers who love lawyers, and a satisfying revenge fantasy for readers who don’t.

Pub Date: Feb. 22, 1999

ISBN: 0-312-19257-6

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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SAG HARBOR

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Another surprise from an author who never writes the same novel twice.

Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Pub Date: April 28, 2009

ISBN: 978-0-385-52765-1

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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