A thoughtful and surprising novel about Albania and exile.
The death of his father brings an expat back to his fraught hometown in Kapllani’s novel.
It’s been 27 years since Karl left his native city of Ters, Albania, for a better life in Greece and, ultimately, America. The death of his father has brought him back home, however, and he finds a city just as riddled with contradictions as it was when he left. Ters is a city in which Roman, Byzantine, Ottoman, and Soviet pasts mingle, a city “in which everything—religions, people’s names, streets, animals, inanimate objects—existed in double or triple versions.” There he finds his brother, Frederik, the son who remained in Albania to uphold the communist ideals of their father—a man so committed to the revolution that he named his sons after Marx and Engels. Karl has long resented his father’s dedication to what he sees as a failed ideology and is surprised to learn that the old man had become an observant Muslim before he died. Karl’s trip home reopens memories stretching back to his mother’s mysterious suicide decades before. As he and Frederik butt heads over matters personal and political, a portrait emerges not only of a fractured family, but also of a fractured city and of an exile who has lived most of his life (in the words of his father) “speaking other people’s languages.” Kapllani’s prose, as translated by Bien, is not always smooth, but the images and ideas are almost always striking. “A writer’s mind often resembles a cemetery,” observes the narrator. “Most of the stories and characters fashioned by such a mind usually return like midnight shadows to the mysterious darkness of their source.” The narrative leaps around in time, covering Karl’s years in Greece and America before returning to Ters and the aftermath of his father’s death. Through Karl’s experiences, Kapllani excavates the complex and often paradoxical relationship a person has with the homeland from which they have been separated, whether through immigration, war, regime change, or the simple passage of time.
A thoughtful and surprising novel about Albania and exile.Pub Date: Sept. 16, 2024
ISBN: 9781942281412
Page Count: 172
Publisher: Laertes
Review Posted Online: Sept. 12, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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