by G.C. Engelmayr ‧ RELEASE DATE: Sept. 11, 2017
Surreal notions and landscape, grounded by the chic gadgets and intrigue of an espionage tale.
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In this debut paranormal-infused thriller, competing intelligence agencies use metaphysical technology while facing off in a realm beyond the corporeal world.
Professor Robert Shilling was 9 when his parents died in a car wreck. Believing there’s a chance he can still communicate with them, he places FieldREGs (random-event generators) around his New Jersey childhood home. Rob seems to have unknowingly piqued the interest of the NSA’s Gen. Donald Flint, who’s determined to get his hands on the professor’s files. He sends rookie agent Amanda Denoyer, Rob’s new postdoc at Duke University, to find the files. What exactly Flint wants isn’t immediately clear, but it’s related to his project, Celestial Destiny. He’s furthermore impatiently awaiting completion of the enigmatic imaging cube from postdoc Vadim Gostkov. The Russian’s heading the NSA-sponsored research group at MIT professor Dirk Jenner’s Institute for Transformative Research in Metamaterials—metamaterials that “exhibit properties not found in nature.” Meanwhile, John Pierce, who works at the research institute, has an appointment with psychologist Dr. Helene Bertrand for the hallucinations he’s been experiencing. Helene’s psychiatrist colleague Paul Greer, however, has seen patients (John’s co-workers) with identical hallucinatory symptoms, leading him to speculate they’re all seeing physical manifestations (ghosts, perhaps?). When someone winds up in a coma after an unexplained heart attack, it doesn’t prevent the person’s abduction. But these apparent kidnappers, traversing a plane not of the known world, haven’t seized the physical body; they’ve taken the soul. The resultant rescue operation precipitates a battle in a strange, unfamiliar realm. Engelmayr’s book is an impressive fusion of paranormal novel and techno-thriller. Amanda, for one, in her first NSA mission, has a run-in with a Russian agent, while an intelligence agency is intent on destroying Celestial Destiny. These take place within a story brimming with metaphysical terminology, like the silver cords linking people outside their bodies to their physical selves. Characters often speak in hypotheticals, as they’re discussing concepts that are abstract, primarily unknown, or written off as pseudoscience. Fortunately, the crisp dialogue takes an intelligent, scientific approach. Flint, for example, proffers: “It’s a classic chicken-or-the-egg phenomenon. Do crustal magnetic anomalies associated with iron ore alter our biological circuitry, making us think we’re seeing ghosts? Or do ghosts tend to congregate around iron deposits?” Similarly, Engelmayr simplifies the plot by separating science and religion; Paul stresses proving “not the afterlife” but “an afterlife,” while Jenner differentiates the out-of-body soul from the biblical soul. The 2012-set story is augmented with the incorporation of real-life events, from impending Hurricane Sandy to people’s fears that the world will end before the year’s over. There are effective reveals, such as what the imaging cube does, and a final act, on the other plane, in which some of the threats aren’t exactly human. But while characters’ back stories are generally solid, a few are lacking. Helene, in particular, was traumatized by a 1980s horror film; for readers who haven’t seen it, vague details like “scary storm clouds” won’t register.
Surreal notions and landscape, grounded by the chic gadgets and intrigue of an espionage tale.Pub Date: Sept. 11, 2017
ISBN: 978-0-692-59566-4
Page Count: 324
Publisher: Engelmayr
Review Posted Online: Oct. 24, 2017
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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