by Gene Bathurst ‧ RELEASE DATE: Dec. 16, 2014
Underneath this outlandish story’s brash exterior lies astute social commentary and sharp, unapologetic humor.
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In Bathurst’s sci-fi debut, a group of humans and androids vows to stop an out-of-control amusement park from engulfing a post-apocalyptic world.
In a dystopian future, Magnum Heironymus Thrax is one of the warriors who defend the Pleasurepit Five, a former pornography emporium that now houses a colony of residents. He leads a team of “sexbots” that have been reconfigured for combat. After defeating a massive land squid, Thrax is ecstatic to find a valuable power-suit in the creature’s belly. However, a man’s still inside the suit; he warns Thrax of the threat of “the Engines of Creation” before injecting something into Thrax’s arm. It turns out that an entity known as the Dark Lord is behind the Engines, which could consume the entire world; at their heart is a defunct amusement park from the mid-25th century. The injection that Thrax receives contains a “synvirus” that he can use to infect and destroy the Dark Lord, but if it’s not done within seven days, the virus will dissolve Thrax instead. His mission also entails rescuing Mindy, a young woman, from a monastery; the Dark Lord seems to have targeted her specifically, for reasons unknown. Thrax’s ragtag team consists of Jez and Candy, among other sexbots; his human programmer friend, Kal Ecto Grammer; and Ghatz, a lower-ranking Pleasurepit Guardian. Unfortunately, getting to the monastery requires passing through the Death Zone, which is populated by a variety of menaces, including “nanozombies” and “mummizombies.” Thrax can’t even trust his companions, as one of the team members has plans to betray everyone to the Dark Lord. Bathurst’s novel initially seems to be merely a showcase for raunchy jokes, particularly as several characters are androids designed for sexual gratification. But the sexbots also have well-developed personalities: Jez, for instance, is a dominatrix model who’s often confrontational, while sensitive Candy expresses a desire to have a child. The story also takes jabs at consumerism, as corporations remain even after the apocalypse; Nike owns the monastery where the team is headed, and the amusement park’s creator was the Google Corporate Republic. Perhaps the best riff on this topic is Thrax’s newfound obsession with Cocainola, a soda that he persistently craves and praises, just as present-day consumers express their love for trite products. Of course, there’s also a good deal of overt, exaggerated comedy: although the frequent sex is never explicit, the violence is gleefully over-the-top, with some character deaths resulting in chunky bits. The abundance of dialogue incorporates contemporary slang, from the occasional “duh” to “bullshit”—apparently Thrax’s favorite word. Nevertheless, Bathurst’s descriptions contain scintillating imagery: “Traceries of electricity arced through the black churning murk far above, unleashing lightning bolts which struck all around the limo, turning ash to glass and scorching the limo’s shell.” The author also playfully alludes to other works; for instance, Thrax has a small, metal dodecahedron that many want, recalling the One Ring in J.R.R. Tolkien’s works.
Underneath this outlandish story’s brash exterior lies astute social commentary and sharp, unapologetic humor.Pub Date: Dec. 16, 2014
ISBN: N/A
Page Count: 520
Publisher: Clickit Press
Review Posted Online: Jan. 3, 2018
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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New York Times Bestseller
IndieBound Bestseller
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
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