Though readers may be sad to say goodbye to the world and characters, it’s been a glitch-free runtime, and they’ll be...

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MONSTERS & MODULES

From the Secret Coders series , Vol. 6

The conclusion to the Secret Coders graphic novel series.

Immediately following Potions and Parameters (2018), multiracial trio Hopper, Eni, and Josh code a portal to Professor Bee’s two-dimensional home world, Flatland, to bring back a Turtle of Light so that they can stop the villainous Dr. One-Zero. In Flatland, Eni and Josh appear as polygons (based on their normal features, square and triangular respectively), and as a female, Hopper is reduced to a profile outline. After coding their way out of a tough spot, the three return to their home dimension, where they’re soon to be split up—Hopper’s mother wants to move them someplace safer, and Eni’s mother is transferring him to a sports-focused school. That leaves them precious little time to decipher Dr. One-Zero’s diabolical final scheme and find a way to counter it. Defeating him will take teamwork—Professor Bee teaches them to modularize, and each works on subprograms. The final fight is an entertaining one, with high stakes, plenty of action, ingenuity, and comedic moments. The denouement’s final storyline is resolved through age-appropriate character relations. After the story, a “The Making of Secret Coders” segment reveals early sketches and describes how the author-illustrator team worked together, and there’s information about Yang’s “Reading without Walls” challenge.

Though readers may be sad to say goodbye to the world and characters, it’s been a glitch-free runtime, and they’ll be satisfied at the final bits and bytes . (Graphic science fiction. 8-12)

Pub Date: Oct. 2, 2018

ISBN: 978-1-62672-610-9

Page Count: 112

Publisher: First Second

Review Posted Online: July 24, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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Fluid prose elucidates a life much stranger than fiction.

PROMISE THE NIGHT

MacColl's second novel brings to life the childhood of future aviator and writer Beryl Markham (Prisoners in the Palace, 2010).

Born Beryl Clutterbuck, she moved with her family to the highlands of Kenya as a toddler. Not long after, her mother and brother returned to England, abandoning her with her rough though loving father. MacColl's account begins when a leopard steals into Beryl's hut and attacks her dog—the child leaping from her bed to give chase. Though she loses the leopard in the night, the next morning, she and her new friend, a Nandi boy, Kibii, find the dog still alive and save it. Later she insists on being part of the hunt for the leopard. Young Beryl wants nothing more than to be a warrior, a murani, and to be able to leap higher than her own head. Her jumping skills progress apace, but young white girls, no matter how determined, cannot become part of the Nandi tribe. Her relationship with Kibii's father, the wise Arap Maina, along with a growing awareness of the consequences of her actions, help lead her into a more mature—though still wildly impulsive and daring—life. MacColl intersperses her third-person narrative with faux news reports and first-person diary entries of two decades later, when Beryl Markham became the first person—let alone woman—to fly a plane west from Europe to America.

Fluid prose elucidates a life much stranger than fiction. (Historical fiction. 9-12)

Pub Date: Nov. 2, 2011

ISBN: 978-0-8118-7625-4

Page Count: 256

Publisher: Chronicle

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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A cancer story that struggles to evoke either laughter or tears

THE BEST MEDICINE

This Irish import’s 12-year-old narrator laughs to keep from crying.

Aspiring to become a professional comedian, Philip Wright enjoys entertaining his single mother and biggest fan, Kathy, while daily attempting to capture the attention of his art-class crush, “dark-haired goddess” Lucy Wells. When Kathy bursts into tears and locks herself in the bathroom after one of his jokes, Philip thinks he’s lost his touch. Prodded by her best friend, Kathy finally tells Philip that she has breast cancer that will require surgery, chemo, and radiation. Philip is initially enraged at how much this news will affect his world, never mind the impossibility of saying “breast” to his friends and teachers. When he finally faces the reality that he could lose his mom, Philip starts behaving like she matters. This novel has a rather slow beginning, with humor that feels too calculated to succeed, including an extended lisping riff, making fun of his Spanish best friend’s name (Angel, which Philip shortens to “Ang”), and the occasional reference to poo. The author also fails to explain how this family suffers no economic hardships while its only breadwinner cannot work. Nevertheless, middle-grade readers will identify with Philip’s conflicts with his best friend and his antics to win Lucy’s affections. Ang aside, the primary characters all appear to be Irish; absence of racial cues indicates that the default is white.

A cancer story that struggles to evoke either laughter or tears . (Fiction. 10-12)

Pub Date: March 14, 2017

ISBN: 978-1-55451-880-7

Page Count: 170

Publisher: Annick Press

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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