Waste not, want not.
Mr. King likes to toss out his old things in favor of new ones, until he discovers recycling—with a little help from his friends.
A silly cat named Mr. King likes “LOTS of new things.” If something becomes a bit old, he “tosses it into the nearby pond and replaces it with a new one.” One day, Mr. King goes fishing in the pond, and something really BIG tugs the line. Alarmed, Mr. King pulls hard and hauls in the “scariest-looking thing” he’s ever seen. Screaming for help, Mr. King rows frantically to shore, towing the monster behind. While Mr. King hides, his friends arrive. All they find is an assemblage of discarded, useful things. Bert the bear can use the ladder, squirrels Skit and Scat turn a trumpet into a house, Old Jim Elk repairs an umbrella, P.J. the hare collects chairs to seat her family, and Tex the fox claims a table. When Mr. King discovers the monster is really his discarded stuff, he’s embarrassed and opts to make some new things from the old. Busy, cheery mixed-media illustrations in blues, greens and yellows rely on flat patterns and loose outlines to humorously highlight foolish Mr. King’s progression from thoughtless wasting to frantic overreacting to resourceful recycling.
Waste not, want not. (Picture book. 3-7)Pub Date: Aug. 1, 2012
ISBN: 978-1-55453-700-6
Page Count: 32
Publisher: Kids Can
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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