Provides quiet assurance to those who recognize this feeling as well as a model for supporting a friend. (Picture book. 3-6)
In her authorial debut, Québecois illustrator Godbout explores depression through the movements of a kangaroo.
At first, the marsupial, clad in a short, yellow jumpsuit, is seen merrily jumping over a cluster of pink flowers. The mood quickly shifts, however, as a gray cloud settles over Maloo’s head. The ’roo’s posture compresses, and then Maloo descends into the dark burrow of a wombat. Even cake doesn’t help restore Maloo’s cheer. Hopping gives way to small steps that are counted aloud, offering a sense of the length of the mood: “Seven steps. Eight steps. Nine steps.” Five pages later, Maloo has reached 1,000. Friends try to help—playing in the water, turning on fans to propel Maloo into the sky. It is only when they launch their pal upward from a blanket that the fog lifts. Soft, warm scenes, rendered in pastels and colored pencil against a spacious white background, create a safe environment to discuss sadness. From the shift to a darker palette, the tree that closes in on creatures, and the serious faces, readers will understand that the protagonist is suffering; the spare text, written from the friends’ perspectives, describes the change in locomotion but allows viewers to identify the emotions. Although the friends are steadfast, three spreads depict Maloo striving in midair alone, suggesting that the individual has a role in healing.
Provides quiet assurance to those who recognize this feeling as well as a model for supporting a friend. (Picture book. 3-6)Pub Date: Jan. 7, 2020
ISBN: 978-0-7352-6664-3
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
