A thesis sure to stir plenty of controversy but worthy of discussion.
Is the cry to defund the police mere rhetoric? No way, this book makes clear.
Political science professor Maher looks at recent events to deliver a stern shot across the bow. “In the history of the United States,” he writes, “nothing has provoked mass rebellion more consistently than police brutality.” That brutality, he argues, isn’t a bug but a feature built into the essence of policing and a society built around the need for it. Why? Because, he writes, capitalism and its manifold inequalities demand the coercive force that the police represent. Maher extends his argument widely to include forces that control the border, especially the southern border with Mexico, meant to contain the very people who are driven from their homelands as a result of imperial capitalism itself. Meanwhile, as to the police themselves, Maher argues that they are agents of White supremacy—and expensive ones at that. Citing figures from the Urban Institute, he calculates that “state and local spending on the police increased astronomically between 1977 and 2017, from $42 billion to $115 billion. In cities like Chicago, growth was more extreme still: per capita spending on the police nearly tripled from 1964 to 2020.” Though not fully taking into account inflation and other similar matters, Maher does make the inarguable point that American police have become increasingly militarized and that, quite clearly, if you’re a young male and a member of an ethnic minority, you stand a far greater chance of being jailed or killed by police than if you belong to the privileged majority. The author is quite literal in his call to abolish the police, holding that “the only people police protect and serve are themselves” and that any effort at reform is a futile exercise. Along the way, he adds, it’d be nice to do away with “racial capitalism” as well, an institution that, like the police, has “failed systematically.”
A thesis sure to stir plenty of controversy but worthy of discussion.Pub Date: Aug. 24, 2021
ISBN: 978-1-83976-005-1
Page Count: 288
Publisher: Verso
Review Posted Online: May 20, 2021
Kirkus Reviews Issue: June 15, 2021
A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.
Custer died for your sins. And so, this book would seem to suggest, did every other native victim of colonialism.
Inducing guilt in non-native readers would seem to be the guiding idea behind Dunbar-Ortiz’s (Emerita, Ethnic Studies/California State Univ., Hayward; Blood on the Border: A Memoir of the Contra War, 2005, etc.) survey, which is hardly a new strategy. Indeed, the author says little that hasn’t been said before, but she packs a trove of ideological assumptions into nearly every page. For one thing, while “Indian” isn’t bad, since “[i]ndigenous individuals and peoples in North America on the whole do not consider ‘Indian’ a slur,” “American” is due to the fact that it’s “blatantly imperialistic.” Just so, indigenous peoples were overwhelmed by a “colonialist settler-state” (the very language broadly applied to Israelis vis-à-vis the Palestinians today) and then “displaced to fragmented reservations and economically decimated”—after, that is, having been forced to live in “concentration camps.” Were he around today, Vine Deloria Jr., the always-indignant champion of bias-puncturing in defense of native history, would disavow such tidily packaged, ready-made, reflexive language. As it is, the readers who are likely to come to this book—undergraduates, mostly, in survey courses—probably won’t question Dunbar-Ortiz’s inaccurate assertion that the military phrase “in country” derives from the military phrase “Indian country” or her insistence that all Spanish people in the New World were “gold-obsessed.” Furthermore, most readers won’t likely know that some Ancestral Pueblo (for whom Dunbar-Ortiz uses the long-abandoned term “Anasazi”) sites show evidence of cannibalism and torture, which in turn points to the inconvenient fact that North America wasn’t entirely an Eden before the arrival of Europe.
A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.Pub Date: Sept. 16, 2014
ISBN: 978-0-8070-0040-3
Page Count: 296
Publisher: Beacon Press
Review Posted Online: Aug. 17, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK TO SCREEN
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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