A radical revision of American history, specifically as it relates to its persistent gun culture.
by Roxanne Dunbar-Ortiz ‧ RELEASE DATE: Jan. 9, 2018
A provocative cultural analysis arguing that the Second Amendment and white supremacy are inextricably bound.
Though some argue that the Second Amendment is necessary to protect the “right to bear arms” for hunters and other law-abiding citizens, Dunbar-Ortiz (An Indigenous Peoples' History of the United States, 2014) maintains that the “well-regulated militia” has been the crucial element all along. This has given rise to many malicious groups, including slave hunters, the Ku Klux Klan, and white nationalists intent on race war (what one source dubs “rahowa…short for racial holy war”) as well as “seasoned Indian killers of the Revolutionary Army and white settler-rangers/militias using extreme violence against Indigenous noncombatants with the goal of total domination.” It may sound extreme, but the author’s historical research provides strong support for her argument that gun love is as American as apple pie—and that those guns have often been in the hands of a powerful white majority to subjugate minority natives, slaves, or others who might stand in the way of the broadest definition of Manifest Destiny. “The United States is not unique among nations in forging origin myths,” writes Dunbar-Ortiz, “but only one of the few in which its citizens seem to believe it to be exceptional by grace of the Creator, and this exceptionalist ideology has been used to justify genocide, appropriation of the continent, and then domination of the rest of the world.” The author’s analysis encompasses the growth of the arms industry, the embrace of the Western outlaw mythos, and the controversy over the Second Amendment itself, which was paid “little attention” until the second half of the 20th century, when civil rights, war protest, and rising crime rates increased the call for gun control. This compact manifesto won’t convince everyone, but it presents a formidable argument.
A radical revision of American history, specifically as it relates to its persistent gun culture.Pub Date: Jan. 9, 2018
ISBN: 978-0-87286-723-9
Page Count: 176
Publisher: City Lights
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Categories: AFRICAN AMERICAN | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ISSUES & CONTROVERSIES
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by Roxanne Dunbar-Ortiz ; adapted by Jean Mendoza & Debbie Reese
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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