by Geoffrey C. Ward with Diane Raines Ward ‧ RELEASE DATE: Nov. 30, 1993
From the coauthor of the mega-bestselling The Civil War: a mix of memoir, travelogue, and profiles of ``tiger-wallahs'' past and present working to save the Bengal Tiger. The subtitle's past tense is deliberate, for Ward sees the Indian tiger as most likely doomed to extinction, at least outside of zoos—a result of the disintegration of Project Tiger, the Indian government's ambitious program to create a string of tiger reservations, often by moving entire villages off their aboriginal lands. The program's failure, no surprise in India, has to do with lack of space: Buffalo farmers want the land for grazing, while the tigers, reacting to scarce food resources and territorial stress, have turned increasingly to man-eating— leading in turn to numerous tiger kills by frightened locals. Ward contrasts the present crisis with the richness of Indian wildlife when, in 1953, as a boy of 13, he moved with his family to India—and even more so with the 19th century, when tens of thousands of tigers roamed the forests. Amazingly, the first important effort to save the tiger came from famed early 20th- century hunter Jim Corbett, a kindly man who killed only man- eaters (the tigers had killed an estimated 1500 people) before turning to conservation. Corbett's legacy was carried on by Billy Arjan Singh, who created a tiger park single-handedly and now rehabilitates tigers and leopards for release into the jungle; Fateh Singh Rathore, who has endured beatings by locals and humiliation by the federal government to protect his reserves; and Valmik Thapar, who promotes reforestation and village rehabilitation as indirect ways of deflecting native poaching, which accounts for much tiger loss. Best in its biographies of the tiger-wallahs (which may send readers scurrying to Corbett's rip-roaring bestsellers of the 40's and 50's): a strong brief for a species on the executioner's block. (Seventy-five color, 25 b&w illustrations)
Pub Date: Nov. 30, 1993
ISBN: 0-06-016795-5
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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