by Geoffrey Norman & illustrated by E.B. Lewis ‧ RELEASE DATE: Sept. 1, 2009
Norman’s first picture book explores a child’s fear of the dark as a manifestation of, and metaphor for, acute separation anxiety. Amanda’s fear is handily ameliorated before her father’s military deployment. The family decorates her bedroom ceiling with cut-and-painted, glow-in-the-dark stars. Daddy shows Amanda the North Star—both in the night sky and in her bedroom—and says, “When I am away, you can look at it and think of me.” “On the last day before he went away,” Daddy surprises Amanda (but, one hopes, not her mom) with a puppy. Norman’s dialogue-rich narrative spans the deployment and includes Daddy’s phone call from a remote desert camp. The accomplished Lewis’s pictures disappoint, with depictions of Amanda and her parents lacking consistency. Even allowing for variations in light and a year’s changes, the child’s hair color, features and apparent age seem to waver from spread to spread. Despite the unfortunate visual shortcomings, this useful volume reassuringly examines the effect of military deployment on families. A flawed but welcome addition to the sparse cadre of trade titles on this topic. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-24724-8
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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by P.L. Travers ; adapted by Amy Novesky ; illustrated by Geneviève Godbout ‧ RELEASE DATE: Oct. 23, 2018
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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BOOK REVIEW
by P.L. Travers ; illustrated by Júlia Sardà
by Derek Munson & illustrated by Tara Calahan King ‧ RELEASE DATE: Nov. 1, 2000
Bland pictures and superficial presentation sink this problem-solver. Feeling slighted by new neighbor Jeremy, the aggrieved young narrator accepts his father’s offer to make an “enemy pie.” Dad insists on doing the baking, but tells the lad that the recipe also requires spending a day playing with the enemy—after which, predictably, the two lads sit down as newly minted friends for pie à la mode. Though the narrator speculates about the pie’s ingredients, the promisingly gross worm-and-weed dishes on the cover never materialize in the illustrations inside, nor are any of Jeremy’s supposed offenses depicted. Instead, King shows the boys in a series of conventional, static scenes, throwing water balloons at girls and other fun activities. Meanwhile, Dad’s fixed, knowing smile invites viewers to share the conceit—even though his naïve son never does catch on. And is Jeremy really so hostile? He displays so little individual character that it’s hard to get a read on him; he just seems to be going with the flow. Invite readers to order up a bowl of Betsy Everitt’s Mean Soup (1992) instead, or a slice of Margie Palatini’s Piggie Pie (1995). (Picture book. 6-8)
Pub Date: Nov. 1, 2000
ISBN: 0-8118-2778-X
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
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by Derek Munson ; illustrated by Tara Calahan King ; translated by Juan Pablo Lombana
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