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BOYS DANCING

FROM SCHOOL GYM TO THEATER STAGE

This is an enjoyable introduction to the world of dance that portrays dance as a diverse art form and capable means of...

Photo essayist Ancona introduces readers to the joys of dance through the eyes of four grade schoolers: Raptor, Ely, Logan, and Ryan.

Through the work of the National Dance Institute of New Mexico, the boys and their classmates are introduced to various styles of performance, including ballet, tap, and even stage combat. Dance requires a great deal of strength and energy, to run, leap, and lift their partners in the pas de deux. This artistic athleticism is perfectly suited to these exuberant boys. Many weeks of rehearsal culminate in a live performance involving hundreds of other schoolchildren and community members dancing pieces inspired by various works of literature. Though the boys (two kids of color and two who present as white) are the featured characters, the ensembles are clearly coeducational and racially diverse. Ancona highlights many stereotypically masculine aspects of dance (stage fighting; lifts and flips) that young people may be unaware of, likely hoping to appeal to other young men who might harbor the misconception of dance as an exclusively feminine performance art. The simple text is choppy at times; here the photographs fill in many of the missing details, though younger readers may need help to make these leaps of inference.

This is an enjoyable introduction to the world of dance that portrays dance as a diverse art form and capable means of expression for all children . (Informational picture book. 5-9)

Pub Date: April 11, 2017

ISBN: 978-0-7636-8202-6

Page Count: 48

Publisher: Candlewick

Review Posted Online: Dec. 20, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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