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THE BOY AND THE BOY KING

Murky messages embedded in goo.

A young museum visitor meets and bonds with Tutankhamen.

Hardly has his “Mum-Mum” left to find a water fountain than a mystical light within the Metropolitan Museum’s Temple of Dendur draws Arthur and his sentient plush toy, Bun-Bun, back to ancient Egypt for a play date with the lonely child pharaoh. Having been mocked in school for still carrying a toy, Arthur is ready to leave Bun-Bun behind as a gift at the end of a day full of magical adventures that is capped by the boy king’s vision of a world at peace: “Somehow, I believe it’s my destiny to help the world by living as a boy, and thus a king, for all time.” Arthur returns to New York, where he learns from Mum-Mum (who happens to be an Egyptologist) that because Tut was killed young he “became a boy living as a boy forever, reminding us of the innocence and beauty of childhood.” What children (never mind adults) will make of this is anybody’s guess—particularly since the episode mixes baby talk with language that is bombastic to the point of parody. “How resplendent are our auras,” declaims Bun-Bun, “full of so many inexplicable emotions.” Yup. Illustrations are appropriately portentous, apparently created from heavily processed photos of solemn-looking models and silhouettes, all White (including Tut, though his painted advisers are depicted, ancient Egyptian–style in twisted postures, with dark brown skin).

Murky messages embedded in goo. (Picture book. 7-10)

Pub Date: Sept. 1, 2020

ISBN: 978-977-416-997-7

Page Count: 48

Publisher: American Univ. in Cairo

Review Posted Online: July 2, 2020

Kirkus Reviews Issue: July 15, 2020

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THE CREATURE OF THE PINES

From the Unicorn Rescue Society series , Vol. 1

Fantasy training wheels for chapter-book readers.

Elliot’s first day of school turns out to be more than he bargained for.

Elliot Eisner—skinny and pale with curly brown hair—is a bit nervous about being the new kid. Thankfully, he hits it off with fellow new student, “punk rock”–looking Uchenna Devereaux, a black girl with twists (though they actually look like dreads in Aly’s illustrations). On a first-day field trip to New Jersey’s Pine Barrens, the pair investigates a noise in the trees. The cause? A Jersey Devil: a blue-furred, red-bellied and -winged mythical creature that looks like “a tiny dragon” with cloven hooves, like a deer’s, on its hind feet. Unwittingly, the duo bonds with the creature by feeding it, and it later follows them back to the bus. Unsurprisingly, they lose the creature (which they alternately nickname Jersey and Bonechewer), which forces them to go to their intimidating, decidedly odd teacher, Peruvian Professor Fauna, for help in recovering it. The book closes with Professor Fauna revealing the truth—he heads a secret organization committed to protecting mythical creatures—and inviting the children to join, a neat setup for what is obviously intended to be a series. The predictable plot is geared to newly independent readers who are not yet ready for the usual heft of contemporary fantasies. A brief history lesson given by a mixed-race associate of Fauna’s in which she compares herself to the American “melting pot” manages to come across as simultaneously corrective and appropriative.

Fantasy training wheels for chapter-book readers. (Fantasy. 7-10)

Pub Date: April 10, 2018

ISBN: 978-0-7352-3170-2

Page Count: 192

Publisher: Dutton

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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LOVE IN THE LIBRARY

An evocative and empowering tribute to human dignity and optimism.

This story, inspired by the author’s grandparents, celebrates love blooming in the desert during a time of extreme duress.

In a World War II incarceration camp for Japanese Americans, two young people find respite in one another. In Minidoka, families are crowded together, enduring harsh weather, barbed wire fences, the intimidating scrutiny of White armed guards, and the stress of unjust imprisonment. Book lover Tama finds solace volunteering in the camp library, where she is visited daily by George, a handsome young man with a seemingly insatiable appetite for reading. Tama, who revels in the power of words, struggles to name her overwhelming feelings. George’s reassurance that she is only human opens the door to love, marriage, and the birth of their first child in camp, a bubble of happiness in the midst of struggle. The gentle text shows how, no matter how bleak the outlook, people can find ways to hope, dream, and endure. An author’s note fills in some background on the real Tama and George Tokuda and connects their story to the many other American communities who experience racism but nevertheless claim joy. Imamura’s soft, exquisite illustrations capture the physical locale, using light and shadow in powerful ways. The 1940s setting comes to life with loving care in details of the decor and characters’ clothes.

An evocative and empowering tribute to human dignity and optimism. (Picture book. 7-10)

Pub Date: Jan. 11, 2022

ISBN: 978-1-5362-0430-8

Page Count: 40

Publisher: Candlewick

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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